This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887--1968), Joseph Cornell (1903--1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical contact between these four artists, this is the first close look at the aesthetic consequences of their interactions. Dorothy Kosinski argues for a notion of dialogic exchange rather than influence,...