Award-winning poet Debora Greger grew up in Washington near the site of the Hanford atomic plant, which, unbeknownst to its workers, manufactured plutonium for the bomb dropped on Nagasaki. "The high school team was named the Bombers," she writes. "The school ring had a mushroom cloud on it." In Desert Fathers, Uranium Daughters she uses what The Nation has characterized as her "deadpan wit, intelligence and marvelous insight" to explore the legacy of a Catholic girlhood spent in a landscape where "even the dust, though we didn't know it then, was radioactive." "Call us out of the animal," Greger writes, invoking the ghost of a poet conjured in "Nights of 1995," in what could be construed as the motto of a collection filled with what Poetry called "priceless instants where the mundane flares up into the miraculous."
We have long come to expect polish from Debora Greger, but we find much more than that with this collection. Here we not only have the wit and intelligence we expect from Ms. Greger, but a sense of urgency, the personal. These poems deal with the testing of the materials used to make the atomic bomb dropped on Nagasaki, foreign travel which becomes a self-exile, and the need to reconcile the disparities found at every turn throughout the book. A masterful collection that gives us the poet at her best. A stunning book.// C. Dale Young, Associate Editor of NEW ENGLAND REVIEW
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