Dead Reckoning

I'm still reading the book, so I'll be spare in details and keep to general impressions. This is a solid procedural - a body with no identification on it turns up in an area from which the public is banned because of "hoof and mouth" quarantine. When the body turns out to be the son of a local woolen mill family, whose mill fallen on hard times, police must dig into the family politics, and the murder has implications for the mill's mostly Pakistani work force. The book is well written, the characters are believable, the plotting interesting and the exploration of the economic and racial overtones of a struggling industrial town are facinating. While I like mystery series, I think each book in a series should be able to stand on its own merit, not requiring sequential reading to jump in and enjoy. So far, this book meets all of my criteria and I look forward to reading previous books by this author in the series.

Michael Thackeray and his team learn of a John Doe murder at the same time Bradfield Gazette reporter Laura Ackroyd intercedes when a mob of young Brits assault two Pakistani women. Though appreciative for Laura's aid, the younger Pakistani tells her he doesn't want the police called as they do nothing since 9/11 New York. Meanwhile the Yorkshire town is stunned with the news that the prime employer Earnshaw's Mill is closing with mass layoffs expected. Michael's case goes nowhere as even identifying the victim has been stalled while Laura begins looking into the plight of the Asian immigrants since 9/11 including lack of action by Michael and his law enforcement peers. The mill rumors have led to deeper racial unrest between the long time locals and the new foreigners with the British Patriotic Party using the tension for political advantage. When Frank Earnshaw fails to hear from his son Simon, who quit mill management to return to school, he notifies Michael. The corpse has been identified with two isolated groups sharing the same community blaming the other for the homicide and other woes. The conflict between the two racial groups is brilliantly depicted so that the audience feels the fears and concerns of both especially as Laura finds racial and religious bias and abuse, but is rewarded by being considered a traitor to her patriotic roots. The who-done-it adds tension, but the killer's motive seems tame almost inane especially in light of the plight facing the Bradford, Yorkshire townsfolk. DEAD RECKONING is a terrific Thackeray-Ackroyd entry that plays stronger as a social commentary of the times than as a police procedural although Michael does his usual bang up investigation. Harriet Klausner