Days of the Dead

Now free from the grating poverty that beset them in earlier installments, Benajmin January and his new wife, Rose Vitrac January, travel to Mexico City to rescue Hannibal Sefton. Hannibal is being accused of murder by the clearly unhinged patriarch of a powerful Mexican family, and it will take all of Ben's ability to clear his friend's name. I adored this book--I loved the way historic Mexico was brought to life, how the ancient Aztec gods became such a presence in the story; it was a breath of fresh air with a touch of Zorro (or maybe it's Zorra--the rebellious daughter Vala would make a great masked heroine). One of Hambly's greatest strengths is her ability to make you feel as if you're really there, shooting it out with bandidos or gambling and gossiping at the Opera. Old Mexico is a vividly rendered blend of ancient native culture with its newly-applied European overlay. This was a welcome change of pace. For this outing, I was glad to trade the sultry swamplands of New Orleans for a visit to the dusty high desert plateaus of Mexico.

Days of the Dead (2003) is the seventh novel in the Benjamin January series, following Wet Grave. In the previous volume, Ben and Rose are trapped by an abortive slave revolt, discovered an impromptu leper colony, survived a hurricane, caught a murderer, and found a pirate's treasure. Some days later, Ben assisted in the delivery of Dominique's baby and, that afternoon, married Rose in the St. Louis Cathedral. In this novel, Ben receives a letter from his friend Hannibal Sefton just prior to the wedding. Hannibal has been accused of killing the son of his host in Mexico City, but is being protected from the police by that same host. Ben and Rose spend their honeymoon traveling, first by sailing vessel to Vera Cruz and then by diligence -- i.e., stagecoach -- to Mexico City. This journey takes several weeks and they are continually afraid that they will arrive too late. As they approach Mexico City, the diligence is ambushed by bandits and one passenger is killed, but the others manage to drive off their attackers. Ben is almost killed himself by the black leader, El Moro. After clearing customs outside the city and reaching the stage office, Ben and Rose take a buggy to the town house of Don Prospero de Castellon, where they are met by Consuela Montero, Don Prospero's illegitimate daughter and Hannibal's lover. There they are informed that Hannibal is being held against his will by Don Prospero because he is the only decent conversationalist available and he also plays the violin like an angel. Don Prospero is waiting for the spirit of his son Fernando, the victim, to come back on the Day of the Dead to accuse his murderer and, in the meantime, he will keep Hannibal close by for the company. Don Prospero is apparently mad as a hatter, but quite shrewd enough to have become richer while all around him others have been ruined by the two and a half decades of civil war. His son was sent to Prussia for military school and had become enamored with German methods and manners. He was such a cold-hearted monster that other members of the family have forgiven Hannibal for poisoning him. Even Consuela is sure that Hannibal is guilty, but is quite willing to smuggle him out of the country. When Ben begins to question the family and other interested parties, everything he finds only makes Hannibal look even more guilty. Moreover, Capitan Ylario, a local police official, is so convinced that Hannibal is guilty, and so angry at the way Don Prospero and General Santa Anna are protecting him, that he has made arrangements with a local judge for a quick trial and execution as soon as he can get the murderer to the courtroom, but so far he has been frustrated by Don Prospero's men. This novel portrays Mexico City and environs as they were before Santa Anna lead his army against the Texian rebels at the Alamo. The cast includes the hacendados -- the rich ranchers of the time -- and their families, Europeans of various nationalities, Americans (and one Texian),

Benjamin January and his new wife, Rose, are caught up in Mexican intrigue in Days of the Dead, Barbara Hambly's latest January novel. In it, Hambly removes January from the familiar confines of 1830s New Orleans to put him in a new environment, though the suspense, mystery, and characterization is the same: top-notch. Hambly has done her research and it shows, as she immerses the reader in chaotic Mexico City in 1835, months before General Santa Anna marched on Texas. The fact that she provides an interesting story that will always keep you guessing is an added benefit.Barbara Hambly has long been one of my favourite authors, and the January series is always a treat. She's always been a master at creating atmosphere, but New Orleans has always seemed to inspire her to new heights. This time, she transplants this to Mexico City, but she continues to set the stage well. Her descriptions are wonderful, placing the reader right into the dirty streets, the majestic countryside or the Aztec pyramids. Even when she just has two characters walking down the street talking, she sets the mood with the vivid descriptions of the lepers begging for money, the carriages trundling down the street, and the merchants hawking their goods. If you are not a fan of description and just want the "meat" of the story, then Hambly's books are not for you. But if you like to be "in the scene" with the characters, you can't beat the January series.That doesn't mean that nothing happens in these books. Far from it. The mystery that Hambly presents is intriguing and will definitely have you wondering what's going on. There is a little bit of action too as the bullets do fly, and the ending is breathtaking in its tension. Hambly does a wonderful job wrapping the mystery around the setting, making Mexico an integral part of it. While Hambly has clearly done a lot of research into the time period, she doesn't present it to the reader on a plate, showcasing it. Instead, everything that she puts in there is for a purpose. Some of it is to set the scene, but most of it does involve the mystery in some way, including the ways family worked in Mexico at the time. It truly is seamless and the reader can learn a lot just by reading (she does point out, in notes at the back of the book, a couple of incidents of poetic license she took).All the characters can be a bit confusing at first, but overall she does very well with them. It can be a bit hard to keep all of the family relationships straight in the reader's mind. One good thing that she does, avoiding a trap that other series writers don't always, is she doesn't force all of her characters into a book. In Wet Grave, she left Hannibal out. In Days of the Dead, she doesn't come up with some reason why January's family would get involved in something down in Mexico. Thus, his sisters and mother, along with Lieutenant Shaw, make no appearance. While I missed Shaw (my favourite character in the series), I'm glad

January and Rose must travel to Mexico to rescue Hannibal Sefton, who has been accused of murder.An enjoyable, clever historical murder mystery, not transcending the genre like the last book in the series, but certainly worth reading. Sentence-level writing seems particularly smooth. The historical period is evoked with great detail and believably.Though I guessed the cause of death quickly (this made me happy), I never quite figured out what the motivation was that caused the victim to be murdered; the murderer is given various motives but the exact breaking point remains vague. As well, there are scads o' characters, and I'm not sure we really need them all. Don Prospero's manic Homeric crazes and rants about Central American gods are funny, scary, and believable despite their extremity. Sefton is an attractive secondary character, and his actions at the conclusion of the book give it a needed touch of seriousness.At times, with the atmosphere of old gods and sacrifices, I felt as if Hambly had been tempted to sneak in a bit of the dark fantasy that she writes so well. I for one would have enjoyed that.Exciting and well worth reading, though not as thematically serious as some of the other books in the series have been. I recommend it.

In 1835, free man of color Benjamin January accompanied by his wife Rose leave New Orleans for Mexico City to provide mental support to his friend opium user, classics user Hannibal Sefton, being hanged for murder. Sefton was one of twenty-four guests attending a dinner provided by Don Prospero de Castellon. However, he is the chosen one accused of poisoning the host's son, the loathed Fernando.Prospero anticipates Fernando's ghost returning home during the Day of the Dead celebration and when his son's spirit visits he will explain how Sefton killed him. Though the day is soon here, the Guardia Civil Capitan wants to hang Sefton today, but Generalissimo Santa Anna orders him to wait. Seeking to insure that "all's well that ends well", Benjamin and Rose investigate the numerous guests, workers, and family members to ascertain motive and means in order to prove that Sefton may quote Lady MacBeth but is not the killer.Though a scorecard is needed to keep track of the suspects that number more than two teams on a football field, DAYS OF THE DEAD is a cleverly written locked door historical mystery. Moving Benjamin to Mexico City provides the audience a different fresh look to 1835 and to the now married protagonist. The lead couple remains a pleasure to follow as they serve as hosts to an intriguing era on the North American continent within a fun to try to solve who-done-it.Harriet Klausner