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Hardcover Hammett Crime Stories and Other Writings Book

ISBN: 1931082006

ISBN13: 9781931082006

Hammett Crime Stories and Other Writings

(Part of the The Continental Op (#2.5) Series and The Continental Op Series)

In the stories and novellas he wrote for Black Mask and other pulp magazines in the 1920s and 1930s, Dashiell Hammett took the detective story and turned it into a medium for capturing the jarring textures and revved-up cadences of modern American life. In this volume, The Library of America collects the finest of these stories: twenty-four in all, along with some revealing essays and an earlier version of his novel The Thin Man.

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Customer Reviews

5 ratings

"Dominions Illegal"

I wanted to seek out earlier authors of mystery and detective works; discover different or perhaps foundation writing styles; and therefore, the first place I thought of was "Library of America" suggestions. This one is an excellent example not only of the works of a fine writer, but of the work the LOA is doing for us as well. Another great big "Thank You" to them for preserving this kind of writing for us through their stamp of approval. It's a collection of short stories by Dashiell Hammett of the 20's and 30's. I had heard of "The Thin Man" and of course, the "Maltese Falcon"; saw the movie but never read the books due to the simple fact that I have never read everything I wanted to, even yet. By reading a simple background regarding him, Mr. Hammett had been a Pinkerton Detective himself, thus undoubtedly providing himself with a wealth of source material without even having to flex his own imagination in the process. That truth is stranger than fiction has been a given since time primeval, and some of these stories have twists obviously derived from nothing short of actual human fumbles and foibles. Hammett draws you in with the set up of the tale as the first facts - or manipulated semi-truths - are pulled out almost by sheer force from the people who need his help and have come to him for it; then proceeds to allow you to follow this professional investigator through his day; during the "shadow", the "background checking" the careful refusal to be swayed by details unrelated to cold, hard facts. In the tangle of treachery, there's the sordid story of a maligned doctor who assumes the identity of another and finds himself in a mess no amount of wiggling can get him out of now; a tale of bank robbery done the simple way through the manipulation of a messenger by the wiles of a beautiful but dangerous woman; a trip across the Border of Mexico and back again, as the P.I. follows his nose (and the money) in arresting the flight of the criminal. And when he comes up with the bogus name of "Shine Wisher" in flash of inspiration under pressure, one immediately thinks of "Mrs. Doubtfire" for some reason! Across the years comes kindred spirit! The original attempt at writing "The Thin Man" is included, and I thought it's formula was better than the one he ended up finishing. It stops mid-stream, since he scrapped it, but it's inclusion here was important in demonstrating his work. The list goes on, each story stands alone in it's uniqueness; yet the same driving human frailties are firmly behind the underlying motives in each of them. It's a tribute to the resourcefulness and creativity of the human brain as well when it is shaped towards "the other side of the street"- so many finely tuned "different" criminal approaches yielding to the same vital desires for "Dominions Illegal" - and if as much effort had been placed in different channels toward better objectives.......but oh, well, We all know that - and it isn't why we pick u

Who was that detective?

Dashiel Hammett, along with Raymond Chandler, reinvented the detective genre in the 1930's and 1940's. They moved the genre away from the amateurish and simple parlor detectives that had previously dominated the genre to hard-boiled action characters who knew what was what and didn't mind taking a beating to get the bad guys. And along the way they produced some very memorable literary characters as well. Nick Charles, Sam Spade and Phillip Marlowe are well known exemplars of the action detective. However, on the way to creating these literary works of art Hammett did journeyman's work at the detective genre in various pulp detective magazines. The series of stories produced here in one volume is from that period. Kudos to the Library of America. The unnamed universal Continental Operative who is the central character of the stories is the prototype for Hammett's later named detectives. He has all the characteristics that mark a noir detective-tough, resourceful, undaunted, and incorruptible with a sense of honor to friend and foe alike that sets him apart from earlier detectives. Although the stories are mainly set in San Francisco the Op branches out to other locales in some of the stories but he keeps those same virtues. If you want mainly well-thought out stories that are also well-written this is for you. Additionally, and this may be as good a reason to read this book as the stories is an early version of his classic Thin Man. A very different take from the one we know and love.

Large Collection of Hammett Stories in One Enduring Volume.

"Crime Stories and Other Writings" contains 24 short stories and 3 additional selections, arranged chronologically, which Dashiell Hammett wrote between 1923 and 1934. The stories all first appeared in pulp fiction magazines and span all but one year of the master of detective fiction's career. "Crime Stories" offers three stories which cannot be found in any other volume currently in print: "Arson Plus" and "Slippery Finger", which were first published in "Black Mask" magazine under the pseudonym Peter Collinson, and "Creeping Siamese". These stories all feature the Continental Op detective, an always nameless, stubbornly practical character whom Hammett based on a fellow detective from his days at Pinkerton Detective Agency, Jimmy Wright, and on himself. Nineteen of this book's stories feature the Continental Op, making it the largest collection of Op stories available. Among the best of these are "Zig Zags of Treachery", "The House on Turk Street", "The Whosis Kid", and "The Big Knockover". "The Girl with the Silver Eyes" is a follow-up to "The House on Turk Street", so be sure to read "Turk Street" first. "The Big Knockover" and "$106,000 Blood Money" were originally a two-parter, but were published as a single novella in 1943. As their styles differ somewhat, the stories are more successful when separated, as they are here. The story called "Women, Politics and Murder" in this volume has been called "Death on Pine Street" in other volumes; they're the same story. It's interesting to note that "Fly Paper" was inspired by two real cases of murder that employed the same peculiar method. Among the five stories that do not feature the Continental Op is the novella "Woman in the Dark". It's mediocre, but has often been published as a stand-alone volume. The three "Other Writings" to which the book's title refers are: "The Thin Man: An Early Typescript", "From the Memoirs of a Private Detective", and "Suggestions to Detective Story Writers". The early version of "The Thin Man" was written in 1930, four years before the final product was to be published and bears only the most superficial resemblance to the now-famous sleuthing of Nick and Nora Charles. It's a good story that introduces a new detective, John Guild of the Associated Detective Bureau. That it was never finished is regrettable. "From the Memoirs of a Private Detective" is 29 short anecdotes and words of wisdom gained from Hammett's experience as a real detective, first published in "The Smart Set" in 1923. Some of these are very funny. In "Suggestions to Detective Story Writers", Hammett, frustrated by the abundant inaccuracies in detective fiction written by non-detectives, sets the record straight on 24 common errors. This was first published in "The New York Post" in 1930 and is interesting, if out of date at this point. Editor Stephen Marcus has included a Chronology of the important events in Dashiell Hammett's life in the back of the book, as well as explanations of potential

Collected Pulp Fiction

I debated whether this should be 3 stars or 4, and decided on 4 because of the creative plots and characters. Dashiell Hammett (1894-1961) dropped out of school at the age of 15, working at a variety of jobs before joining the Pinkerton Dectective Agency at the age of 21, working there before and after his service in the US Army during World War I. He came down with TB in the Army, and continuing illnesses made it difficult for him to work, so he became a writer. He is best known for the "Maltese Falcon" and other novels. He died penniless, largely due to judgements by the IRS for unpaid income taxes.It is apparent from some of the other reviews that reviewers are unfamiliar with the process of publishing a collection. There are copyrights involved, and it is necessary to obtain permission from the copyright holders, often a different publisher (which may or may not be forthcoming). There are also fees payable to copyright holders, and demands sometimes make it impractical to include material (I am speaking from personal experience).This collection contains 24 shorter stories originally published between 1923 and 1934, mainly in "Black Mask," with one each from "Argosy," "Mystery Stories," "Liberty," and "Colliers." The 20 stories from "Black Mask" feature the Continental Op, a detective from the Continental Detective Agency who is described as fat but never identified by name - call him "the Fat Man" for purposes of reference. The stories are in narrative form, as told by the main character. There is also an early typescript of "The Thin Man," various notes by the author, and biographical material on his life.Rather than being literary masterpieces, these stories were written as entertainment for the masses. They are written in the somewhat macho style of that time period, with dead bodies left about the landscape. The Fat Man is not quite Fearless Fosdick, but he survives more than a normal amount of blows, knife wounds, and near misses from bullets. The stories will appeal to those readers who like live action. They may have less appeal to readers looking for high tech (computers, cell phones, etc.). There are interesting references to the time period with people driving Locomobiles, etc., and directing someone to "keep the steam up." A lot of the action is in San Francisco in the 1920's. This was an era before Miranda Rights, etc., when police were more inclined to kick in a door and sometimes slap people aside the head.There are interesting characters sprinkled through the stories. One man has the ultimate con game, hiring himself out as a hit man and collecting the advance with no intention of performing the hit. What can his clients do, complain to the police? His idea of a money tree is someone with lots of enemies.Like most collections, there is some variation in quality. The volume is good value for the money with 900 pages of stories. While well bound, the volume is printed on somewhat thin paper which could be easily damaged.

An undeniable "must" for any mystery buff!

Dashiell Hammett was the celebrated author and experienced detective who has been acclaimed as the father of the American hardboiled crime novel. This anthology of his work proves him to be a master of short stories as well. His tales, originally written for pulp magazines such as Black Mask in the 1920's and 1930's, drew upon the realities of American streets and American speech to create adventures felt and sounded truly real. This comprehensive collection from the original texts as they appeared in the pulps is free of the cuts and revisions imposed by later editors. In addition to 24 stories, Dashiell Hammett: Crime Stories And Other Writings also contains essays and an early version of Hammett's novel "The Thin Man." Dashiell Hammett: Crime Stories And Other Writings is an undeniable "must" for any mystery buff!
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