The Dance House: Stories from Rosebud

Very nice reading all stories very thought provoking and all have a good message. Something I will enjoy reading to my grandchildren.

READ ABSOLUTELY EVERYTHING BY THIS MAN YOU CAN GET YOUR HANDS ON....HIS ESSAYS AND STORIES IN THIS COLLECTION ARE WELL WRITTEN AND EXCEPTIONALLY PROFOUND...THE ANSWERS TO A HARMONIOUS AND BALANCED LIFE LIE IN THESE PAGES....COME FIND THEM.

Joseph Marshall III's the Dance House: Stories from Rosebud relates knowledgeable insight from the Sicangu Lakota Sioux's point of view, using everyday incidents as well as historical events. A Lakota Sioux historian who was raised on the Rosebud reservation, the author's simple yet harmonious language creates a memorable collection of eight short stories and five essays that present a truthful representation of Native Americans. Using the underlying theme that heritage is important to one's identity. Marshall is adamant in erasing the white man's barbaric, ignorant image of the Indian. In the title story, after the tribe's dance house was ordered burned by the United States Government which seized the Black Hills land where the house stood, Jacob Little Thunder and others, outwitting the white "boss farmer" and defying the Dawes Act, build a house of happiness where the people of Grass Valley could come together to remember "the old days and traditional way." Gus Pretty Crow, through his unwavering honesty, brought the demise of the haughty sheriff in "1965 Continental." One rainy night a stranger appears at Gus' door requesting mechanical help. When Gus recommends that the man wait until the next morning and call the local wrecker "that runs, sometimes," the stranger propositions him: "Sell me your [1950] truck and I'll give you that 1965 Lincoln Continental." After Gus explains that an Indian owning a new luxury vehicle would create problems for him, the stranger promises that just a phone call to him would fix any problem that would occur. Reluctantly Gus agrees to the transaction and soon after the harassment by the local sheriff begins. Jon Marichale educates his grandfather during a reminiscent outing about the petrifaction process of a stone turtle the grandfather had discovered years before. The Dance House is necessary reading for anyone who is interested in the truth about Native American culture, or simply enjoys gifted storytelling.

Lakota Sioux historian and novelist Marshall proves himself a triple threat with these powerful essays and short stories. As the subtitle suggests, the nine pieces collected here all deal with life on the author's home reservation of Rosebud, SD, and it is a credit to Marshall's ability as a storyteller that the fictional stories are nearly indistinguishable from the factual essays. Subject to changes brought in by Euro-American culture that surrounds it, Marshall's Rosebud is nevertheless a timeless place where the Sioux insist on maintaining their identity. Readers will be grateful to Marshall for building a dance house of the mind, one that draws on autobiography, nature writing, legend and the day-to-day adventures and misadventures of his own family and neighbors.