Creative License: The Law and Culture of Digital Sampling
No Customer Reviews
Select Format
Select Condition 
Book Overview
How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z's song "Takeover"? Why doesn't Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s such as "Funky Drummer" and "Cold Sweat," get paid for other musicians' frequent use of the beats he performed on those songs? The music industry's approach to digital sampling-the act of incorporating snippets of existing recordings...
Format:Paperback
Language:English
ISBN:0822348756
ISBN13:9780822348757
Release Date:March 2011
Publisher:Duke University Press
Length:336 Pages
Weight:0.97 lbs.
Dimensions:0.9" x 6.1" x 8.4"
Customer Reviews
0 rating
Copyright © 2024 Thriftbooks.com Terms of Use | Privacy Policy | Do Not Sell/Share My Personal Information | Cookie Policy | Cookie Preferences | Accessibility Statement
ThriftBooks® and the ThriftBooks® logo are registered trademarks of Thrift Books Global, LLC
ThriftBooks® and the ThriftBooks® logo are registered trademarks of Thrift Books Global, LLC
