The 'theoretical turn' within the arts and humanities in the 1970s and 1980s has, for many, had its day, with work produced under its rubric all too often feeling tired or even downright lazy. In its place - whilst hazarding against an outright rejection of theory - this book, introduced by Mieke Bal, presents work by a new generation of scholars responding directly to Bal's idea of the 'travelling concept'. By taking a concept from one discipline...