Dashiell Hammett: 5 Complete Novels

For pulp fiction fans this is an absolutely can't miss collection of five fine works that have truly stood the test of time. Novels that are as relevant today as they were the day they were written are the great legacy of this collection. You will be surprised, enthralled, captivated, and most wonderfully entertained for many hours with these novels.

I love the movies, and thought I should ready the books and compare the two.

This is a nice compact hardback edition of Dashiell Hammett's five novels, which he wrote between 1929 and 1934. A veteran of Pinkerton detective agency in several cities, Hammett turned his intimate familiarity with crooks, low-lives, and the seedier side of life into hard-boiled, hard-hitting detective stories. This was a time when urban corruption was the rule, and private detectives, journalists, and police officers shared information. Two of these novels, "The Maltese Falcon" and "The Glass Key" are American classics. Another, "The Thin Man", inspired one of Hollywood's best-loved movie franchises. Hammett's novels lift the veil of propriety from the subcultures in which they take place, laying bare violence, corruption, and pervasive cynicism. But they're not dreary. The sharp prose crackles, and the heroes stand apart from the corruption while swimming in it, steadfast in their own codes of conduct, their iconoclastic ideologies rooted securely in realism. These five novels all appeared as serials in magazines prior to being published as novels. "The Thin Man" appeared first in "Redbook", the others in "Black Mask". "The Maltese Falcon" (1930) and "The Glass Key" (1931) are flawless. "The Maltese Falcon" features private detective Sam Spade, a irresistible femme fatale, and the ruthless pursuit of an ancient gold statuette. The last pages of the book are some of the most hard-hitting and cynical in all of noir fiction. And they're brilliant. "The Glass Key" explores political corruption that leads to personal tragedy in an unnamed American city. Oddly, the detective is the right-hand man of a crime boss. "Red Harvest" (1929) features the adventures of Hammett's most popular detective, the Continental Op, in a town called Personville, or Poisonville to those who know it better. The always unnamed detective for the Continental Detective Agency finds himself responsible for cleaning up a mining town that is ruled by violence and mob warfare. The novel's opening paragraph deserves to be read several times. "The Thin Man" (1934) is an attempt at humor among New York's blue-blooded, cold-blooded upper crust. Hard-boiled humor is interesting in concept. But I find the characters in this novel more pitiful than funny, and Hammett's style was in decline at this point. At least his characteristic cynicism wasn't. "The Dain Curse" (1929) is another Continental Op novel. This one is melodramatic, absurd, and not up to Hammett's usual standards. Hammett fans shouldn't miss it, but others may find it pointless. I described the novels in order of descending quality. "Complete Novels" organizes them chronologically. Five novels is a lot to pack into one book. But "Complete Novels" doesn't resemble a door stop. It's a handy size actually. The print is not too small, but the pages are quite thin. Editor Stanley Marcus, a literary critic and frequent admirer of Hammett's work, has included a Chronology of Hammett's life and several pages of notes on th

I have reviewed each of these books separately. Having them all together in one volume is invaluable. And reading these consecutively is hardly boring, because there's a world of difference between them. RED HARVEST featuring the Continental Op is a real romp through a completely corrupt town which gets what's coming to it because a corrupt police official makes the middle aged fat man protagonist mad. There's an underlying theme of corruption as a true poison.THE DAIN CURSE is again the Continental Op, and here you see glimpses of a tender side to a character who is basically completely self controlled. And in this, you see the very weak female character turn into an admirably strong woman.THE MALTESE FALCON is of course the true classic, a study of greed and deception. Sam Spade's story of a character named Flitcraft gives the reader the author's perspective on the randomness of life.THE GLASS KEY gives a sleazy view of politics and makes a couple of points about friendship.THE THIN MAN appears lightweight after the first four, but a second reading reveals a portrait of a very able person who allowed passion to leave his life, and is slowly going down the drain.Crime fans will especially love this collection, but there is a whole lot of value concerning human nature and the framework of society here.

Wow. Finally the publishers are making what needs to be made more often.Hammett reinvents the hard-boiled and hard-boiled is forever changed. With his tight yet elegant prose that recalls Hemingway, Hammett leads us head-first through a maze of corruption and murder with genius that is only matched later by Raymond Chandler. Hammett never trusts the reader, much to the reader's delight: the endings are stunning yet not fantastic (as was Poirot). The only reason for which you shouldn't read this book would be to give other authors a fighting chance on your bookshelf...

Dashiell Hammett's novels have fascinating mystery plots and the essential elements of film noir: dangerous dames, wise-cracking "ops" (= operative = P.I.), cagey crime orgasnisers, and trigger-happy "muggs". Hammett's novels include The Maltese Falcon (#3) and The Thin Man(#5), which are great films but they are missing some of the intrigue of the real stories. For instance, there's another angle of Sam Spade involving Iva Archer that doesn't quite make it to the film version . . . . The Red Harvest (#1) reveals shocking corruption in city politics as the Continental Op (literally) wades through bootleg liquor and tries to keep track of the soaring body count.The Dain Curse (#2) is a confusing compound of drug use, a religious cult, and a family's vicious criminal record. It isn't a neat, fictionalised detective story, but rather the slough of deceit Hammett must have seen while working for Pinkerton.The Glass Key (#4) also deals with city-level political corruption, but there's another message: think of trying to use a glass key . . . .When fortifying myself for a six hour layover and a trans-Atlantic flight, I stumbled upon this book quite by accident, but I couldn't have made a better choice. Hammett's novels make excellent reading: interesting plots, clever wording and some of those "lines" film noir can't do without. I can't resist giving an example "line" (from The Glass Key): "'A copper found you crawling on all fours up the middle of Colman Street at three in the morning leaving a trail of blood behind you.''I think of funny things to do,' Ned Beaumont said."

A beautiful edition of beautiful stories. The Library of America consistently produces elegant, useful and durable editions of some of America's best literary works. Hammett's novels add to the enjoyment: his crisp, "in-the-know" writing style is highly enjoyable -- and addictive. I urge everyone to try this edition, you'll enjoy it.