Coming Through Slaughter

I originally read this book as part of a fiction workshop. Unlike some other class-assigned readings, this book became a treasured part of my personal collection. Its form is rather unconventional -- it's rather like reading a novel of poetry. Admittedly, it can be hard to "get into," but I found that the more I read in one sitting, the greater impact Ondaatje's prose had on me. For me, Coming Through Slaughter was one of those rare gems that hovers over you until you've completed it. You find yourself thinking of Ondaatje's characters even when you've put the book away; they linger after the last page in the same way they seem to exist in the realm of the book -- a dream-like haze. The story is one of Buddy Bolden, a real jazz musician in New Orleans in the early 20th century. None of his music survives, but he is said to be one of the founders of jazz. And so Ondaatje explores the small pieces of Bolden's historical truth, creating a character and an entire book that revolves around his life, his love affair with music, his love affair with a woman, and the audience's love affair with him. Other historical characters emerge from the text, like E.J. Bellocq, a man who photographed prostitutes from the Storyville area of New Orleans.There are a lot of beautiful descriptions of abstractions, particularly of music (the way it looks, its color, the way it's created) and of emotion. As some other reviewers have suggested, they are descriptions tangible enough for a deaf person. And yet there is an ethereal element in Ondaatje's writing that makes it seem as though something much greater eludes you; it adds to Bolden's presence in the book.This is the first book I've read by Ondaatje, and I hope to read more.

Michael Ondaatje wrote this semi-biographical story of legendary jazz musician Buddy Bolden long before writing "The English Patient" and "Anil's Ghost". Ondaatje only writes two novels per decade, so it is both interesting and relatively easy to track his progress as an author. "Coming Through Slaughter" draws heavily on Ondaatje's poetic roots, as rhythmic sections of smooth unself-conscious dialogue alternate with straight narrative and passages of syncopated poetry. It is far shorter and contains more poetry than his later works -and this works well in a book about jazz. In this, it is less mature than "The English Patient", more rooted in a young man's poetic freeform and less in the disciplined construction of a novel. Perspectives shift from Bolden to his New Orleans friends, prostitutes, and the musicians around him who literally created jazz. Ondaatje has a unique style of piecing a novel together from disparate pieces like a jigsaw puzzle, pieces that don't always meet at the edges -at least until the whole is complete and the details slowly merge into a profound and intricate mosaic. This style, in its early stages, is on display here. Characters and themes emerge slowly. Ondaatje is a challenging author. You may be two pages into a scene and still not know quite who is talking, or about what, or when. But finally the rush of understanding as the scene fits logically into another that comes pages later.Buddy Bolden, New Orleans cornet player, early jazz genius who dropped out of sight for two years and then made a triumphant if short-lived return, before dying in an asylum. This is the source. The facts about Bolden remain murky, and Ondaatje has created a life around him. It is a story as much about jazz, New Orleans, and decay as it is about the sad life of a single horn player.

Michael Ondaatje writes yet another stunningly original little book--in this case, a fictionalized meditation on Buddy Bolden, an unrecorded father of Jazz. Bolden remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. More 'experimental' in form than either The English Patient, or In the Skin of a Lion, it's as good a read as either

I am a writer, a poet, a singer and musician. I first read "Coming Through Slaughter" seven years ago, and it has haunted me since. I have read many, many books but none have stayed with me like this one. Ondaatje shows us how it is possible to weave a narrative with pieces of song, faded photographs, snatches of conversation. This is the way Buddy Bolden should be remembered, felt as a phantom stretching through history. Ondaatje conveys New Orleans, and its rightful place in time as the birthplace of jazz, precisely. I've passed this book on to many others and am secretly gleeful that The English Patient has gathered all the attention, because Coming Through Slaughter deserves much more careful consideration, is not for the masses but for lovers of poetry, music, and history

This beautiful book offers a portrait of a musicians crash into insanity. The authors gift is in description, in a musical rhythm that always reveals as much as the words her chooses. This story is based on history, but fabricated as a story that transcend fact. Without judging or romanticizing, the author allows his musician character to unfold before us, carefully showing us how the daily choice between life and art splits him. The book gave me a clear understanding how the details of real life can compromise art, and how art fully expressed, ultimately can compromise life, love, family and self. With choice meaning death, we understand Boldens' peace in denying himself both.