Collected Poems

Is there a resurgence of Hayden's poetry or am I finally hearing more about this sensitive poet who wrote about a glorious future at a time when there was little hope for equity. He dared to speak of a spiritual solution to war and eulogized black heros who get little more than a paragraph in our history books. I appreciated the author's introduction, and especially enjoyed the diversity of Hayden's work in this collection.

ROBERT HAYDEN (1913-1980) was the first African-American to be appointed Consultant in Poetry to the Library of Congress, a position now titled the U.S. Poet Laureate. He won numerous prizes and awards during the last decade of his life, including the 1975 Fellowship from the Academy of American Poets for "distinguished poetic achievement." Hayden stands out among Twentieth Century American, poets not just for his many literary accomplishments, but for the strong vision of faith that illuminates so much of his work. In addition to well known poems such as "Those Winter Sundays" and "The Whipping," this anthology contains other equally stirring poems including "Aunt Jemima Of The Ocean Waves" which depicts a conversation with the fat woman from a Coney Island side-show and "Belsen, Day Of Liberation" dedicated to Rosey Pool, the Dutch teacher of Anne Frank and first translator of her famous diary. While Hayden writes much about African-American history and culture, his poems do not tell the reader what to think or feel. Instead, his carefully crafted verse weaves images that allow the careful reader to move around in some very unusual territory, some beautiful, some uncomfortable. Hayden puts us in the mind of the oppressor in poems like "Middle Passage" about the famous Amistad incident, and "Night, Death, Mississippi" where we eavesdrop on an old Klan member too frail to attend a lynching with his son, of whom he is proud. "Be there with Boy and the rest / if I was well again. / Time was. Time was. / White robes like moonlight / In the sweetgum dark." Hayden can also be wickedly funny. In "American Journal" written a few years before his death, his narrator is a spy from a distant planet in the galaxy who reports back to his fellow superiors about "this baffling multi people extremes and variegations their noise restlessness their almost frightening energy." In addition to poems about childhood, society, and race, Hayden also writes about the history and central figures of his religion, the Bahá'í Faith. In "Baha' u'llah In The Garden Of Ridwan" he compares the founder of Bahá'í at an important juncture to Christ the night before being crucified w ho prayed to be relieved of his great destiny. In "Dawnbreaker" Hayden describes the torture of one early Bahá'í put to death by having candles of oil and wick lit within his skin. "Ablaze / with candles sconced / in weeping eyes / of wounds." Despite his numerous awards, Hayden was not well known to many poetry readers until the end of his life. Fortunately, his reputation has increased since Collected Poems was published posthumously. If you are interested in rich, well crafted poetry which explores what it means to be human, try Hayden. As Aunt Jemima says in the above mentioned poem, "And that's the beauty part, I mean, ain't that the beauty part."

We read his book for my 8th grade english class. If you likeRobert Hayden, Poetry, Etc. this is a very nice book. If you're likemost of the kids in Mr. Nydicks english class, and you would rather chat than discuss the irony and pain of Middle Passage, this isn't the book for you. But if you like interperative poetry, this is a very nice book by a nice author