Collected Longer Poems

W. H. Auden, in his introduction to 19th Century British Minor Poets, established five criteria for being major, of which a candidate must satisfy at least three and a half. The poet must be prolific, demonstrate "wide range in subject matter and treatment," evidence "originality of vision and style," show mastery of verse technique, and continue maturing as a poet until death. Hayden Carruth meets all these conditions, as his Collected Longer Poems demonstrates by itself; taken together with his Collected Shorter Poems (1992), it marks Carruth as a preeminent master. The poems were composed between 1957 and 1983 and have been published in various collections, only one previously unavailable except in a fine-press edition. Three are written in Carruth's trade-mark "paragraphs," rhymed, variably metered fifteen-line stanzas, including The Sleeping Beauty, the heart of Carruth's oeuvre to date. Other poems in the collection are written in sprawling Whitmanesque lines, tercets, free-verse lyrics, and loosened blank verse, the chosen form answering the demands of the subject matter. Few, if any, of Carruth's contemporaries--or immediate predecessors or followers--have demonstrated such extensive mastery.

This collection contains several of Carruth's longer poems, including "The Sleeping Beauty." I picked up this collection to read this poem in my studies and I was impressed. Carruth's poetry is interesting and sparks the imagination with his subtle and genuine style.