Clive Barker: The Dark Fantastic: The Authorized Biography

a powerful, enlightening and elegant look inside the life of an amazing talent. Another one of my favorite biographies (that I've read in the last year) is Aldous Huxley, An English Intellectual, by Nicholas Murray - but this one on Clive Barker is phenomenal! I'm stunned by the exhaustive research and careful analysis that these highly gifted biographers bring to the table. Winter is highly descriptive and brings revelation after revelation in vivid, intelligent detail. My only complaint would be that practically every rock is unturned in Barker's various works. This is great if you have read or seen them all; but if you are new to Barker, it pretty much gives a lot away! This complaint is overcome by the magnitude of such a monumental work as this. Winter is a true genius. The skilled writing is so entertaining that any sin is easily forgiven! Artists who have left (and are leaving) such a profound influence are worthy of the infinite efforts of a truly grand investigator/author; and Mr. Barker got the expert treatment on this one, indeed.

I took this book out from the library because I was in the mood to read non-fiction about fantastic fiction. I hadn't actually read any Barker, except for two false starts on Sacrament. I now intend to rectify that situation, as I've gone out and fetched myself a copy of Weaveworld and intend to get to it forthwith, followed by his other books. This is the best biography I've read (although that's a limited number) and certainly a fascinating look into an author I knew very little about beforehand. I wish Mr. Winter's look at King was as recent, because then it would be high on my list of priorities as well.

Reading about Clive Barker's polymathic inclinations, one recalls a scene from his book, The Great and Secret Show. In that tale, postal worker Randolph Jaffe, assigned to the dead letter room, unwittingly finds himself at a spiritual crossroads of America. Uncovering hidden truths by exploring the ramblings of the lost, the lonely, and the mad, Jaffe gets a glimpse of other worlds just under the surface of the "real" one. Clive Barker has also glimpsed other worlds, but rather than driving him mad, these visions have compelled him to communicate what he has seen to others. This compulsion has led him to express himself in a multiplicity of media, including the sketches he drew as a child (and indeed, throughout his life), the plays he wrote in his twenties, the short stories he penned as he matured, the movies he directed, or even now, in the portraits he paints. It is this impulse that Douglas Winter, a polymath in his own right (lawyer, journalist, editor, author, book critic, public speaker), attempts to chronicle and explicate in The Dark Fantastic.The book is arranged chronologically, following Barker from his early life in Liverpool, to his years on the London theatre scene, culminating in the present day, where we find him in Hollywood at work on his latest undertaking, the multimedia project known as The Abarat Quartet. Winter seems to have had unrestricted access to his subject and to those around him, as he cites knowledge gained from interviews with Barker and a plethora of Barker's family, friends, lovers, ex-lovers and business partners. Although Winter makes no claim of objectivity, he maintains a respectable distance from his subject, providing valuable insights into both the man and his work. Doing so, he makes a convincing case for Barker's inclusion in the pantheon of the leading creators of fantastic literature.Perhaps the most important revelations are found near the end of the book, where Barker becomes more comfortable with his sexuality, finding true love with photographer David Armstrong. There also, he deals with the death of his father and his subsequent descent into depression. Barker's latest epiphany is the most fascinating, as he comes to realize that hundreds of paintings, seemingly created at random to combat his depression, all contained common themes, themes that eventually coalesced to form the basis of his Abarat Quartet project. The fact that he unconsciously worked his way towards mental health, even while breaking new barriers, is both inspirational and awe inspiring.The book's upbeat ?ending" (Barker's only fifty as of the publication date) bodes well for the future. Barker, it seems, will continue to receive messages from other realities, filtering them through his artistic sensibilities to make them more palatable to us lesser mortals. We, the audience, merely have to open our minds, experience his work, and learn. By allowing Barker to take us to other worlds, we can more easily absorb the l

I do not often read biographies, but since Clive Barker is one of my favorite authors and I enjoy his writing so much, I figured I would give this book a shot. First off, if this book were just about the life of Clive, it would be at probably only half as long. Winter uses much of the book as an in-depth critical analysis of Barker's fiction. At first I didn't like this method, and if you are not familiar with all of the works he discusses, the respective sections may not be as informative. However, as I read more and more of the book, it became clear that Winter was not only analyzing Barker's fiction, but Barker himself as well. At times this works wonderfully, shedding light not only on Barker as a writer and person, but on the process of creating art and literature. I learned a lot about writing and many times discovered things in his fiction that I had not seen before. Thus, if one was rereading Barker's works, Winter's book could be an insightful commentary. The only problem that I had with the book was that at some points if felt not like a biography but only a critical interpretation of certain pieces. The in-depth analysis of most pieces of Barker's work seemed a little overboard for a biography. Otherwise, this is a very well-written, insightful, and overall entertaining book. A must for any fan of Barker, fantastic fiction, or an interest in creativity in general, since Barker seems to leave very few creative endeavors unexplored.