Civil War Front Line

I have read this comic book before and I loved it. I bought for my son to read and he loved it to. This book was shipped fast and came in just it was described. I will purchase from this seller in the near future.

Marvel Civil War collection is an instant classic for all ages to enjoy. My suggestion is that if you get Civil War Frontline Vol 1 you should get Vol 2 at the same time because the story is SO good that you will have wished you ordered both if you didn't. While I'm at it, get the whole Marvel Civil war series. It's classic stuff and it's great for all ages. JC

I read my first comic book in the summer of 1963.At that time I could never imagine that the comic book could be so well written and thought provoking. Civil War:Front Line is a thought provking look at role of goverment and the media in our lives. The major questions are has the goverment gone too far in taking away our civil liberties and has the goverment taking away too much of our privacy . For people who believe comic are just for kids show them Civil War:Front Line . This shows the potential of the Medium.

I typically hate comic book cross over "events." They are usually poorly written; not Civil War. It was an excellent, thoughtful story. It made perfect sense in the context of what was going on with each of the characters. If you're at all a Marvel Comics fan, I can't recommend it enough.

"Civil War: Front Line, Book 1" is the first of two trade paperback volumes that collect this 11-issue mini-series that ties into the "Civil War" event that drew a great big line in the sand for Marvel's superheroes. The New Warriors were battling a group of supervillains in Stamford, Connecticut, when one of the bad guys, Nitro, exploded and killed over 600 people. In the wake of this disaster Congress passes the Superhuman Registration Act. Iron Man supports the SRA while Captain America, whose identity is already known, opposes registration and draws others to his side, with Spider-Man being the one stuck in the middle, originally siding with Tony Stark and then gong over to the other side. Marvel's "Civil War" is a major event because it is a concerted effort to make secret identities a thing of the past. Issues #1-6 of "Civil War: Front Line" are collected in this first of two volumes. "Front Line" has two major plotlines. First, "Embedded" follows a pair of reporters as they cover the two sides of the war, with Ben Urich covering Iron Man's side and Sally Floyd investigating Captain America and his supporters. But before that happens Spider-Man visits Sally to talk about what the SRA would mean for his family if he reveals his identity because the government demands superheroes register their identities of go to jail. Then Iron Man reveals to the world that his name is Tony Stark and everything changes. By the time we get to issue #2 the world knows Peter Parker is Spider-Man, which enrages both J. Jonah Jameson and Norman Osborn, and Iron Man is bringing in the first superhero to refuse to be registered. Floyd has to go blindfolded to a secret location to interview those resisting registration while Urich is checking out what Mr. Fantastic has come up with for "prisoners," and the Civil War claims its first casualties as things start to get ugly. Second, "The Accused" focuses on Speedball, the only one of the New Warriors to survive the Stamford disaster who has to deal not only with being arrested for what happened but also finds himself powerless and suffering from survivor's guilt. But Speedball refuses to say he is guilty and as an unregistered combatant no longer has any legal rights (parallels to the War on Terrorism are really big in this storyline), even though Jennifer Walters (She-Hulk) shows up as his lawyer. There are additional stories and sections in these comics as well, the most prominent of these is "Sleeper Cell," which has to do with how the Atlanteans become involved in this whole mess. Again, the parallels to contemporary events are painfully obvious but the last page you get for this storyline in Book 1 is going to make you think of Dallas in November 1963. On the basis of the six issues reprinted here you would think that "Front Line" is an allegorical critique of the War on Terrorism, with all of the obvious parallels to the real world in the Marvel Universe. Obviously that is a key element in w