Chopin

The primary focus of this book is not biography, although it is structured in alternating chapters with biographical information followed by analysis of the music of a given period. Other books (Tad Szulc's Chopin in Paris, for instance) might give a better impression of Chopin's daily life, but this book does a fine job of relating the life to the music. The musicological passages are fairly sophisticated -- a grounding in music theory is assumed -- but if you have such a grounding, there are fine insights to be found here. I was most pleased, for instance, to note that Sampson had observed the similarities between the Nocturne in F (Opus 15 #1) and the Ballade #2 in A Minor, something I had long been aware of but had not seen addressed in Chopin criticism.Samson's examination of genre is illuminating too -- he tries to perceive Chopin's music not as an absolute frozen in amber, but rather from the perspective of its own time, an era full of contrasting and overlapping genre conventions.