Chicano Sketches: Short Stories by Mario Suárez

In their introduction to Chicano Sketches, the editors assert that the late short-story writer Mario Suarez "represents a unique case of an early Chicano author who remained faithful to his original purpose of creating a distinctively Chicano literary space." How early? The first eight of the 19 stories included in this collection were first published by the Arizona Quarterly between 1947 and 1950. The "distinctively Chicano literary space" Suarez created was grounded in the harsh realities of a barrio in Tucson called El Hoyo (literally "The Hole") which the editors term "an urban wasteland." Suarez, who was also a journalist, social activist and educator who relocated his family to Southern California in 1958, possessed a sharp eye for quotidian human experience. He populated his "sketches" (his term) with preening pachucos, avuncular barbers, unrepentant womanizers, chisme-loving comadres, clever swindlers and many other examples of humanity. Suarez did not romanticize the Chicano experience; indeed, he acknowledged such social dysfunctions as alcohol abuse ("Cuco Goes to a Party" and "Loco-Chu"), indolence ("Kid Zopilote") and economic struggle ("The Migrant" and "Los Coyotes") while celebrating the beauty of Chicano culture ("Mexican Heaven"), human kindness ("Dona Clara" and "Senor Garza") and the work ethic ("Something Useful, Even Tailoring"). Quite often, Suarez relied on biting irony and comedic juxtapositions to illustrate his characters' vices and virtues. No collection of Chicano literature will be complete without this volume. [The full version of this review first appeared in Southwest BookViews.]