Charles M. Schulz: Conversations

All of the comics, and some parts of popular culture in general, continue on in the shadow of "Peanuts". True, the strip's popularity declined in the late 1990s. And some found it "too commercial". Not only that, the comic strip itself has seen a depressing decline (the fate of the traditional comic strip gets tied to the fate of newspapers in general; the two seem inseparable; today's internet comics have a different sort of life). Still, Charlie Brown and Snoopy, in some ways, have become as ingrained in popular culture as Charlie Chaplin or John Wayne. And nothing has come close to filling the void that "Peanuts" left behind in the year 2000. After all, "Peanuts" was to the comic strip page what the Beatles were to popular music. Both heightened and expanded their genres irreversibly and with undisputed universal influence. Though "Peanuts" remains somewhat ubiquitous, its creator, Charles Schulz, remains downright enigmatic. He never openly courted fame, and he poo-pooed notions that his comic strip represented any sort of an "art form". The interviews collected in this book help bring Schulz to life. They lift that strange veil that surrounds his character. But even after reading this entire book, Schulz retains a good deal of his strange elusiveness. And that might have just as much to do with the readers than with the creator of "Peanuts". We've come to expect celebrities to act a certain way, to be a certain way, and to flaunt themselves in a certain way. Schulz contradicted most of our assumptions about what a celebrity represents and stands for. With all of his lavish success and international honors he continually downplayed his achievements by saying that he "only draws a comic strip". He seemed confused, but gracious, by the fuss that people made over "Peanuts". When asked about his creative process by multiple interviewers in this book, his collective responses pretty much sum up to "it's a job". He claimed he didn't know where his ideas came from. And his focus remained on drawing 365 strips a year, and that remained the main focus of his life. The Schulz that ultimately emerges from these interviews seems self-deprecating and a little bitter, but nonetheless cautiously proud of his stature in the comic strip realm (though always adding "it's only a comic"). On the flip side from Schulz's Midwestern "boy next door" demeanor stands his fairly lavish lifestyle. The soft spoken, modest Schulz lived in almost palatial estates packed with the luxuries of the day. Kenneth Wilson's interview from 1967 begins with his becoming almost hopelessly lost in the vastness of the "Coffee Grounds" in Northern San Fransisco (where Schulz lived with his first wife until around 1972). Schulz later admitted that the Redwood Empire Ice Arena had cost him $140,000 a month to maintain. He also had his own private golf course. So there's a tension between the soft-spoken comic strip man and the man possessing a fabulous, unimaginable fortune. So someth

This interesting book which consist of about 16 interviews done by Charles M. Schulz (out of nearly 300) which Schulz revealed his backgrounds, motives and understanding of his works. Reading the interviews from the 1950s to the 1990s, it revealed an interesting evolution of Schulz's character, insights and his development as a cartoonist as he grow older and his "Peanut" empire got bigger. While you can't considered this as a biography, reader will definitely get a clear understanding of Schulz's personality from these interviews.I was surprised that there was no mentioned of how Schulz and NASA got involved since Apollo 10 used Charlie Brown and Snoopy as code names. Such absolute faith in NASA probably needed further review.Overall though, an excellent book that probably should be read by all fans of Charlie Brown and Snoopy strip.

I picked up this book of various interviews that Charles Schulz did from the mid-1950's to the late -1990's to get a better feel for the creator of the world's greatest comic strip, Peanuts. There are some interesting insights here, particularly into Schulz's personality. You really see that the lonliness and feelings of defeat suffered by Charlie Brown for almost 50 years were what Schulz felt for his childhood and a great deal of his adult life.A lot of the questions asked by the various interviewers dealt with Schulz's religious beliefs, given the fact that many of the Peanuts comics had a religious tone to them. I found some of Schulz's comments interesting, but I never cared that much for those particular Peanuts strips, so a significant portion of this book didn't hold much interest for me.It was interesting to see how the interviews conducted by writers employed by comic book magazines seemed very critical of Schulz related to the commercialization of Peanuts (i.e. Ford Motor ads in the 1960's, MetLife, etc.) I think Schulz handled these queries very well and also shows how tough he could be when pressed.I think if you've read Rheta Johnson's terrific biography of Schulz and seen thegreat documentary on A & E, you'll have the best background of Schulz. This book is best served as a "fill in the blanks" supplement to those media.

Not the usual skimpy biography or comic compilation, this is a lengthy (300-plus pages) and thoughtful Q & A session between Schulz and well-prepared and insightful interviewers. Schulz' modesty, thoughts on life and humor, and love of his craft are easy to discern, and the details of the history of "Peanuts" and the creative process are, quite obviously, as "inside" as they come. Amply illustrated with comic strips. A fitting tribute.