Marx, Freud, Nietzsche--in vastly different ways all three employed the metaphor of the camera obscura in their work. In this classic book--at last available in an English translation--the distinguished French philosopher Sarah Kofman offers an extended reflection on this metaphor. She contrasts the mechanical function of the camera obscura as a kind of copy machine, rendering a mirror-image of the work, with its use in the writings of master thinkers...
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Philosophy