California's Over

As I could relate with the age, time and place of the main character's life, I took a ride on the depth given to her by Jones. What a trip! I'm still sitting at the table with them over cioppino wishing everyone would come home again. Well, things surely change as California's Over reveals. I'll have to accept this and jump into another ferment of this writer's cast of characters.

A gifted, stylish writer with something new and original to say. Even though the time (1973) and place (Marin County California) and subject (family of a deceased late Beat/early hippie writer) are far removed from my own experience, Jones has the gift of taking you there, spinning you around, getting you interested in the characters and leaving you delighted and enlightened.

I read this in hardcover, and it's amazing. Jones is the only fiction writer I know of now who is truly driven to poetry, that is necessary poetry, not vague lyricism. Every line matters. I live in Saint Louis, MO, and Jones is here at a university to be a visiting writer and just gave a reading of his newest work, about Alaska in 1970, and it heads off in a totally different direction. There's no one writng today with his sincerity and poetry.

Louis B. Jones's California's Over is much more than a satire of the West Coast's Sixties legacy, though like all good satire it does have a deeply realized base of moral bedrock to put the clearly-observed human excesses and deviations in perspective, and like all good satire it is very funny without being cruel. But the book's real strength and beauty is in its tenderness, the sweet music of human peculiarity lucidly seen, and in its evocations of the loveliness of the sirens' songs that have drawn its characters toward their particular, poignant ruin on their particular rocks of reality. And the novel, like all of Jones's work, is ultimately a song of praise for the embattled decency, for the redemptive power in the feeble human longing for the simple human truth, for the humble beauty of the real, in the face of everything the world can bring of tragedy and temptation. Jones's language is astonishing, rich and lush and ever-inventive, a kind of sustained poetry. By all means check out his other novels--Ordinary Money, and Particles and Luck, which are also terrific. A beautiful writer, with hopefully a long and productive career ahead of him--a joy to read.

This is not Jones' best, but it's definitely his most ambitious. He's trying to mark out territory as an important writer here, bidding to be a Big Gun. Commentary on society, etc. People in the throes of crucial emotions in their lives, etc. He's more at ease with the metaphysical, as in "Particles and Luck." "Particles and Luck" is a truly beautiful little book. A classic. However, I must say, the looser structure in "Californias Over" (the wandering over three decades in several characters' lives, the multiple point-of view, the flash-forwards to warn reader of future developments) all allow a new complexity here. And Jones' poetry is present. I just happen to prefer the tighter structure. His earlier books are more like DeLillo -- seem to have been directly influenced by DeLillo -- whereas this is more touchie-feelie.