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Brother Cadfael's Penance (Brother Cadfael Mysteries)

(Book #20 in the Chronicles of Brother Cadfael Series)

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Book Overview

To save his estranged son, a monk risks breaking his vows in this "moving and suspenseful" entry in the Silver Dagger Award-winning medieval mystery series (Booklist). For Brother Cadfael in the... This description may be from another edition of this product.

Customer Reviews

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Cadfael's conflict.

Witness if you will, reader, the Chronicles of one Brother Cadfael of the Benedictine abbey of St. Peter and St. Paul in Shrewsbury, Shropshire: witness the twenty adventures of this most unusual monk, herbalist and former crusader, occurring between the years of Our Lord 1138 and 1145, in the middle of the devastating civil war between Empress Maud and King Stephen for the English crown. Witness, reader, how this rare Benedictine's "practically miraculous" powers of deduction (Booklist) helped him solve mysteries such as that of the unfortunate violent death of a Welsh lord who sought to prevent the relocation of the sacred bones of his village's maiden saint to no other place but Shrewsbury's very own Benedictine abbey ("A Morbid Taste for Bones," the first Chronicle); the long-held secrets hidden under the rags worn by one of the unfortunate residents of Shrewsbury's leper colony, and that ill-fated soul's connection to a fair young bride come to Shrewsbury to be wedded at St. Peter and St. Paul, only to find her groom - himself a brute in a gentleman's clothes - murdered only shortly after their arrival ("The Leper of St. Giles," the fifth Chronicle); and a woman's earthly remains, found in a field bequeathed to the abbey of Saint Peter and Saint Paul by a potter who, struggling between the callings of a husband and those of a servant of the Lord, had relinquished his marital vows in favor of those to the church ("The Potter's Field," the seventeenth Chronicle). Pause however, reader, before proceeding to this twentieth and last Chronicle, if you are not familiar with all accounts of Brother Cadfael's previous extraordinary ventures. Pause, I say, and seek out the Chronicle entitled "The Virgin in the Ice," which is the sixth in order and takes place in the winter of the year 1139. For in that report you shall encounter not only certain persons important to the events you must expect to learn about in this last Chronicle, duly referred to as "Brother Cadfael's Penance," but you shall also learn about certain details about Brother Cadfael's past, and the life he led among the defenders and the residents of the Holy Land in the year 1112. And while it is true that the essence of said facts, insofar as indispensable to the telling of this present and final Chronicle, will again be revealed to you as you progress through this present account, trust me if I tell you, reader, that your enjoyment and understanding of this final Chronicle will be greatly enhanced by having acquainted yourself with the full revelation of said facts, events and personae, as encountered in said prior Chronicle. At the very least, reader, accept my humble suggestion that you seek out the visual representation of said prior Chronicle, equally referred to as "The Virgin in the Ice," which is part of the most excellent productions also entitled "The Chronicles of Brother Cadfael," created in the past century's last decade. Thus prepared, proceed then to this last C

a splendid ending to Cadfael's legacy!

This final installment of the mysteries of Brother Cadfael finds Ellis Peters in outstanding form- what prose this Englishwoman conjures! Of all the Cadfael mysteries, this is one of the finest! The writing is typically adroit - wise, full and redeeming, and the passages found toward the last third of the book, describing the interior heart of Brother Cadfael towards Olivier, his 'unknown' son, are as beautifully trenchant as anything one will find in popular prose writing. In this series of books, the mysteries themselves are always well-placed and fascinating, authentic and without tricks, but again, it is the superlative writing of Ellis Peters, the warmth of the language and the architecture of its comeliness, that captivates; indeed, she has permanently raised the genre of mystery novel to a new plateau of genuine literary interest. P.D. James, eat your heart out! All 20 Cadfael mysteries highly recommended - an addiction to treasure!

Cadfael is set to pay the price!

...it should come as no surprise that BrotherCadfael feels he must pay penance for his, as well. And in this20th--and final--chronicle of Brother Cadfael, Ellis Peters takes us a giant step forward in her characterization of the good Benedictine monk, a man once a member of the Crusades and now wrestling against sin behind the cloth. In "Brother Cadfael's Penance," Peters permits Cadfael to come face to face with another aspect of his life--a time before his monastic vows. It is 1145 and the great civil war rages on between King Stephen and Empress Maud. However, there is hope. A meeting between the two factions is scheduled for Coventry and Brother Cadfael secures permission from the Abbey of Saint Peter and Saint Paul in Shrewsbury to attend. Known widely for his skills in diplomacy, as well as crime solving abilities, Cadfael, however, wishes to attend for a very personal reason. He is seeking news of a young knight, Olivier de Bretagne. Olivier is Cadfael's son, from his days fighting in the Holy Land as a crusader. His holy vows aside, he feels he must do all within his power to save his son. Peters, as always, presents Cadfael as more than human--she gives us a man for all seasons, as it were. In addition, she presents the good brother in a realistic but incredibly humane manner. He is a man whom we can love, respect, yes, evencherish. Peters' ability to draw out these characteristics is perhaps what makes the series so fascinating. Hers is a series not to be missed. One probably should read them in the order they were written; or at least, read earlier ones before this one, as the poignancy of the meeting between father and son is so much more dramatized when the reader has the background to appreciate such a climactic episode. I cannot imagine a reader being disappointed!([email protected])

If "Cadfael" had to end, this is an excellent finale.

Had Ellis Peters know this would be her final "Brother Cadfael" book before her death, she couldn't have written a better one. Returning to the fascinating plot line of Cadfael's long-lost son, Olivier, she does an excellent job of balancing Cadfael's love for his monastery and his monastic profession with his love and devotion to the son he has only begun to know. Almost everyone in life has experienced the tension of two loves that nearly tears them apart and destroys them. Ms. Peters again does a wonderful job of keeping her characters true to themselves, to their times, and to the interplay developed in the long line of Cadfael mysteries. I very much enjoyed the book!

Ellis Peters, always excellent

Alas and alack! There will be no more Brother Cadfael mysteries. Ellis Peters is gone, but she has left a rich estate for all her readers, especially in the well-known Brother Cadfael series. Cadfael's conflict in the book is between his monastic vows and what he perceives to be his natural duties as a father. His son Olivier has been captured and none know where he is. Cadfael looks for Olivier though he knows the search may cost him his home in Shrewesbury Abbey. Later parts of the book deal with the issue that an honorable man may do that which seems most dishonorable if it helps end a destructive war. Ellis Peter's characters are far more realistic and human than most. They are sympathetic, mostly good characters torn by events, doing wrong in reaction to being trapped in unpitying reality. Her characters are consistent and believable with a few possible exceptions. Olivier, for example, seems all perfection -- yet is this not how his loving father would see him? As a whole, the Cadfael series is an excellent blend of plot, character, and setting. Brother Cadfael's Penance, the last written in the series, is one of the best. The insights are richer and deeper, the characters more engaging, the conflicts of a bigger yet always very human scale.
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