Marking the first major survey of Bridget Riley's use of the curve, this volume explores how the artist has often returned to this pictorial device over a 50-year time span.
Coinciding with the artist's exhibition at De La Warr Pavilion, Bexhill on Sea (13 June-6 September 2015), the publication features studies and paintings from throughout Riley's career; beginning with black-and-white works from the 1960s up to the recent wall painting...
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