Breaking and Entering: Landing Your First Job in Film Production

I'm a film and television producer, and this is the first book I've come across that explains in plain English what it's like to work in production. But, it's tells you much more than that. By the time you finish reading this book, you'll have a complete understanding of how movies get made and the people who make it happen. You'll learn the "lingo" of the industry and the chain of command on a set. The author takes you step by step - explaining what the jobs are and how you can get one. Even if you don't want to work in production, you'll find it entertaining and informative. I have been using this book as a teaching tool in my production assistant workshops for the past few years. It has helped many of my students find work in the industry. If you want to work in this business, this is a must-read. What I liked most about the book is that it isn't the glamourized version of what it''s like to work behind the scenes, it's the real deal. In terms that anyone can understand. April Fitzsimmons has been there, done that and now written the book about it. Some of the fascinating parts include short personal stories from various people, about their experiences in the industry - the good, the bad and the ugly. I recommend to my students that they buy this book and keep it with them at all times, as a reference and as a reminder to never give up. I only wish this book was around when I first started working in production. My struggle wouldn't have been so difficult.

The first time you set foot on a film set certain things aren't always obvious. This book sets you on the right path from the beginning. Get a jump on all the P.A's entering the pool and act like a pro from day 1.

Of all the books I have seen on how to start at the bottom & learn the basic ropes of being a great PA. This is the book. If you want to impress producers & move up quick, read this book & implement what it says

I wish I had this book when I was starting out. Sure film school allows you to talk about Bazin, Truffaut and mise-en-scene, but it will never teach you about the hazards of standing in an actor's eye line--my first embarrassing mistake. This book is filled with common sense which seems to be sorely lacking these days. If you aspire to work in Hollywood, buy this book.

Anyone who is even considering a career in the production side of the TV/Film industry should buy and read this book. As a former PA (current screenwriter) I can only shake my head in regret that I didn't read this book before setting foot on my first set; it would have saved me a great deal of pain and worry. I can't understand that one bad review, I mean, how can something be "too comprehensive"? And believe me, someone who can unjam and revive a copier is worth their weight in gold, especially if something has to be done immediately and the damn thing is acting up. Trust me, you want to know everything this book has to say before starting out as a PA. Twenty bucks is dirt cheap compared to learning all of it the hard way.