Blue at the Mizzen

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe. Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania. Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatl

Although Blue at the Mizzen is readable on its own, it is perhaps an injustice to it to do so. The book, as with any one of Patrick O'Brian's Aubrey/Maturin novels, is merely chapter 20 in what is trully an epic. Each volume/chapter is integral; there is not a single weak link in the tale. It was thus with great sadness that I read of Mr. O'Brian's recent death; Blue at the Mizzen is the final chapter.Things could be worse. Mr O'Brian, intentionally or no, has brought the resolution of many long-standing issues to his characters, though these resolutions also promise new beginings which the reader will now have to make up on his (her) own. Blue at the Mizzen is the type of novel Mr O'Brian's vast readership have come to expect: tragedy ballanced keenly with triumph, exploration of world and soul, the peculiar gains we find in loss, and the losses we face in victory. Blue at the Mizzen is a must read for anyone who has read the epic till this point. Others will still find it enjoyable, but are strongly suggested to start with volume/chapter one: Master and Commander.

Interested reader,If you are reading these reviews, chances are good you are wondering what all this stuff about Patrick O'Brian and the "Aubrey/Maturin" series is about. Wonder no longer."Blue at the Mizzen" represents the last volume of what is overall a rich, wonderful collection of literature. While I've read the disappointment that some have had with the last few books in the series, I respectfully offer the view of a reader who feels touched forever by the author's hand and grateful for having read this series in the first place.Once you read "Master and Commander," chances are excellent you will adopt Aubrey and Maturin to be among your favorite characters of all time. Who could not chuckle when Stephen Maturin tries yet again trying to come aboard the ship without falling overboard? Who could not envision Killick's severe expressions when Aubrey gets grease on his number one uniform, or become anxious whenever Aubrey sets foot upon land? Who could not feel the loss of a shipmate sent over the side? It is sad to note that we finally see Aubrey make his flag as we get the news that Mr. O'Brian has made his number. I believe that "Blue at the Mizzen" and all the other books in the series need to be looked at by the prospective reader in total. If you have never read from this series, start with "Master and Commander," and I will guarantee that if you like this first volume and continue through the series, you will be touched by a truly masterful hand.

I wasn't a great fan of the predecessor to this book (The Hundred Days) as it seemed that a lot of life had been sucked out of the series. I then re-read the set from Master and Commander to Blue at The Mizzen.While the books have changed somewhat, in that they have become less descriptive of the interrelationships between the characters, this is understandable. As Aubrey gets more senior (here for much of the time he is an acting Commodore with a small squadron) the books have to describe a much bigger naval and political picture. O'Brian excels at this.Unfortunately this means we lose some of the "small ship" feeling, and many of the best characters from earlier in the series are left out. Isn't this a function of life - not only Aubrey and Maturin's but also most readers? As we move on in the world relationships change and we interact with different people. In addition O'Brian would have difficulty in weaving in many old characters and maintaining the sense of historical accuracy that is important to his books (this is however not a justification for Aubrey's lack of response to Bonden's death in the previous book).Read the whole series from book one and then enjoy this and its predecessor (The Hundred Days). Both books then fall into much better context.Keep it up Mr O'Brian - you are doing an excellent job. I fervently hope that the unanswered questions surrounding Stephen and Christine Wood (as well as where Aubrey goes from here) mean that we can hope for one more (and preferably more than one) book and a couple of large fleet actions!

I don't know whether I would recommend "Blue at the Mizzen" to someone unfamiliar with Patrick O'Brian's excellent series of nautical novels about Jack Aubrey and Stephen Maturin because, I believe, much of the pleasure to be derived in reading the book comes from our acquaintance with the main characters from previous novels. But I would have no hesititation at all at recommending it to any Aubrey-Maturin fan. A significant number of readers (not including me) of the previous book in the series, "The Hundred Days", were disappointed in the somber tone of that novel -- an atmosphere fully justified, in my opinion, by the central subject matter. Those readers need not fear a repetition in "Blue at the Mizzen." Stephen Maturin has recovered his interest in the natural world and is once again a fully engaged participant in the events around him. It has been said that this novel might be the final volume in the series (I hope not) but if it is, then the series will end on a high note. The book is full of typical O'Brian touches of elegantly described scenes and subtle characterizations. If it is not quite the equal of "Post Captain" or "Desolation Island" (but what is?) there is still much in "Blue at the Mizzen" to make longtime fans of the series smile with satisfaction. And if it is not the final volume, then I shall look forward with great pleasure to the next book.