Blessing the Boats: New and Selected Poems 1988-2000

Some books excel beyond the 5-star limit offered here. This is one of them. Lucille Clifton has a magical, inexplicable way bring the most unpoetic subjects to life--including incest, racism, Lucifer, Eve, and the human body. Clifton's poems exude truth and she isn't afraid to write from the somewhat underrepresented perspective of an African American woman. Even the poems that seem to have a narrow audience (Wishes for Sons, To my Last Period) manage to have a universal quality about them. I've been extremely fortunate to hear her read twice--the only thing that improves upon the purchase of this book is hearing the sublime Ms. Clifton in person. Her voice captivates and reasonates from the pages of her books. Anyone who finds these poems offensive should consider the element of truth in each and every one of them.

congratulations to Lucille Clifton for her latest book of poems and for winning the National Book Award. These poems not only inspire but comfort...

Clifton's poems enter sacred places, not only by their subject matter (human suffering at biblical proportions, or biblical suffering at human proportions), but because of their method of engagement--a direct and immediate engagement with what is "human."The section of new poems (which begins the book) opens with a devastating poem about recent school shootings, and continues with poems more blisteringly honest and raw (if such can even be conceived by long time readers!) than any Clifton has written before. Some of the previous themes (childhood abuse, cancer, biblical re-tellings) are re-visited at such an excruciating level of intensity, that one thinks Clifton is preparing to leave certain subjects (for a time, perhaps) and launch herself into the next great "Era" of her writing life.The book is a book of transformations, of all the "boats" in our lives, that carry us from place to place, and we are blessed indeed to be accompanied on our long journeys by Lucille Clifton.The nineteen new poems are followed by sixteen from "Next," twenty three from "Quilting," fifteen from "the book of ligtht," and eighteen from "the terrible stories." Clifton's book are assembled so artfully as books that it is hard to imagine how she (or her editor) made the choices for the volume. In the end, they prioritized cohesivesness as a volume, choosing whole sequences from the earlier books, rather than the "Greatest Hits" approach. The result is that some readers (including this humble one) may find some favorite poems from the earlier volumes missing, (this is particularly true of the choices from "Next") but the the book, in and of itself has its own true spirit.

clifton weas one of the first poets i ever loved.in my own writing her depective simplicity has influnced me as emily dickinson most likely influnced clifton. also, 'JASPAR, 1995 is probably the best anti-racist poem of the last few year.