Black Orchids (Nero Wolfe)

Rex Stout's 9th Nero Wolfe outing is the first to contain more than one story. The novellas "Black Orchids" and "Cordially Invited to Death" reveal Stout at his best. In "Black Orchids," Wolfe endures the perils involved in leaving the brownstone to attend a flower show. Ah, yet this is no ordinary flower show, but one in which the world's only black orchids are on display. Wolfe has as much fun as his enormous envy will allow until someone is murdered at the show. The second story, "Cordially Invited to Death" is a fun romp for both Wolfe and Archie, but not for the murderer of a woman who organizes lavish parties. And Wolfe even (gasp!) allows a woman in the kitchen! Stout's first eight Wolfe stories all contain good cases, interesting characters, and tough knots for Wolfe's sharp mind to untangle, but with BLACK ORCHIDS Wolfe and Archie finally find themselves. Their characteristics, mannerisms, and attitudes have been refined and honed to perfection. Stout was on it. As other reviewers have noted, "Cordially Invited to Death" contains a mystery within a mystery. I wouldn't dream of spoiling it for you, so jump in and enjoy a couple of wonderful Nero Wolfe adventures. You won't be sorry.

Rex Stout's Nero Wolfe story collections usually have two things in common: Each collection presents a trilogy of stories and the stories in the trilogy share a common theme. "Trio for Blunt Instruments" is quite typical of the lot. Three stories with three murders committed with blunt instruments."Black Orchids" seemingly departs from the norm. There are only two stories, but each involves black orchids.The first story, "Black Orchids," has Wolfe leaving his brownstone. Business doesn't bring him forth, it is envy. There is a flower show at which a rival is showing rare black orchids. Wolfe is green with envy. He sends Archie to view them and report, but word-of-mouth proves insufficient. Wolfe has to see them for himself. While Wolfe is at the show, someone is murdered and the owner of the black orchids stands to be horribly embarrassed if not arrested. Wolfe undertakes to rescue the owner for a small fee--the black orchids. Of course, he pulls it off, otherwise he couldn't have sent black orchids to the funeral of the victim in the second mystery.In "Cordially Invited to Meet Death," a party arranger calls on Nero Wolfe, but contracts tetanus and dies before she can pay his fee. Relatives have a way of thinking that the most innocent of unexpected deaths are homicide, and one of the victim's relatives raises sand with the police trying to get them to investigate the case as a murder. Not getting satisfaction, he then retains Nero Wolfe. A little looksee into the circumstances of the death confirms the relative's suspicions.The cast of suspects is limited, but figuring out whodunnit is a tough nut to crack. With Archie Goodwin's help, Wolfe sorts through the clues, confounds the police, and reveals the killer. Of course, Wolfe's too much of a homebody to go to the arranger's funeral, so he sends Archie in his place. When Archie sees the spray of black orchids, he knows only one person in the whole wide world could have sent it. Which leads us to the third mystery. What prompted Wolfe to send those flowers? Archie offers a few conjectures, but Wolfe is mum. The reader is left to his own devices in solving this third mystery.

If the phrase "Black Dahlia" just came to mind, put it aside. Both stories herein are set during 1941 - in March and August, respectively, before Pearl Harbor brought the U.S. into WWII. (This was the 1st Wolfe short story collection; those covering the war years can be found in NOT QUITE DEAD ENOUGH and TROUBLE IN TRIPLICATE). As Archie points out in his comments before, between, and after the stories herein, the only common thread between the stories is the presence of the black orchids in each story, and if you think the *cases* are the only mystery, then you don't know one when you see one. "Black Orchids" - Marks the first on-stage appearance of Lewis Hewitt, Wolfe's friend from Long Island - if orchid fanciers who grow for show can have friends. :) Wolfe dislikes leaving the brownstone on West 35th Street for any reason whatever, but Lewis Hewitt's black orchids - the only three in the world - are currently on display at the Flower Show, and Archie's daily reports on their condition aren't enough to assuage an advanced case of orchid envy. Since Fritz and Theodore are both kept busy in the plant rooms and kitchen respectively, Archie wasn't surprised at being sent, but there were compensations - Rucker and Dill, the big seed & nursery company, dressed up their exhibit with a couple having a picnic every afternoon, and Archie threatens to marry Anne Tracy (he's not the only one - showcasing her legs by the little stream every afternoon has brought a lot of offers). But by the end of the day's showing, it isn't Anne, but her partner in the exhibit who's found shot dead in full view of the crowd. "Cordially Invited To Meet Death" - Bess Huddleston, 1st class caterer, starts at a disadvantage in approaching Wolfe as a client - she once tried to hire him to play detective for a murder game at a party ($2000 for a few hours work, all the beer he could drink, and $500 for Archie), and it offended him that anyone still existed who didn't know about his no-leaving-the-house-on-business rule, apart from hurt pride at being offered such a job. But this time it's serious: an anonymous letter-writer has been sending letters with scandalous accusations to her clientele, naming *her* as the source of information; if it isn't stopped quickly, she'll be ruined professionally. Of course, with Wolfe and Archie involved, it will never in a million years end there...

BLACK ORCHIDS is number nine in Nero Wolfe series and the first to contain shorter novels put together. The first is "Black Orchids" Fond as I am of the fat genius, I must admit that this adventure showcases the less-admirable qualities of his complex character. It's not true that Nero Wolfe never leaves his house on business, but it rarely happens. Wolfe probably would not have attended this flower show. He hates car rides and he hates being touched (which is bound to happen with crowds) However, the three black orchid hybrids produced by Lewis Hewitt, Long Island millionaire and Old Money gentleman, have filled Wolfe with "an agony of envy", as Archie puts it. Wolfe needs to see these plants for himself, which is too bad for the killer. Why? Mr. Hewitt could have a nasty scandal about him if the killer isn't found. Wolfe has failed to flatter and otherwise bootlick Mr. Hewitt into selling him one of the plants. Now Wolfe shows his unbridled greed by demanding all three of them to solve the case. Archie manages to latch onto an important clue on his own and Wolfe makes good use of it. As usual, Archie's descriptions are colorful and amusing, and the interplay between the faithful assistant and his brilliant boss is not to be missed. They know each other so well. I loved the call Archie made to bring Inspector Cramer to the homicide. I also loved the reception smirking Johnny Keems, one of detectives Wolfe sometimes hires, got from Wolfe when he tried to prove that he could be as good as Archie. Some readers might object to the means Wolfe uses to trap the killer as Cramer does, but I happen to agree with Wolfe on the subject. I believe that this was one of Wolfe's best traps. For younger readers, yes, the one female character was quite correct in claiming that her family's honor was at stake. Society has changed. As for the "...pair of vintage Helen Hokinsons from Bronxville" whom Archie meets in chapter two, the 1996 revision of Rev. Frederick G. Gotwald's "The Nero Wolfe Companion No.2" tells us that Ms. Hokinson was an artist whose gently satirical cartoons of society matrons appeared in "The New Yorker" magazine. The second story is "Cordially Invited to Meet Death". Someone is sending nasty anonymous letters to the clients of famous society party-arranger Bess Huddleston and Miss Huddleston wants Nero Wolfe to put a stop to it. Wolfe already has a bit of a grudge against Miss Huddleston from an suggestion she made two years before, but he takes the case. Chapter one ends with an fun exchange defining Archie's role in Wolfe's life that is only partly insulting. In Chapter two we meet the main suspects, Miss Janet Nichols and Miss Maryella Timms, assistant and secretary, respectively, to the client. Archie doesn't like Miss Timms' Southern accent, but the lady manages to earn one of the most cordial and respectful treatments Wolfe is ever seen giving a woman. In the next chapter we're treated to Archie's meeting

Black Orchids is one of Rex Stout's best. The genius detective, Nero Wolfe, has his horticultural jealousy aroused because a rival has developed and is showing the first black orchids ever at The New York Flower Show! The handsome Archie Goodwin, Wolfe's assistant and a detective in his own right, is sent to see them four days in a row. But finally Wolfe, who never leaves his home on business and rarely for pleasure, "assumes the expression of a man prepared to brave all hardship or hazard for the sake of a Cause" and attends the flower show to "look at those confounded freaks for myself." Naturally, murder soon follows, and Archie is implicated! Wolfe's fee for solving the murder is the black orchids, but to earn them, he must find a way to keep Archie off of the witness stand. A lot of interesting twists follow, keeping the reader riveted. Archie is the man-around-town-in-the-know, and his relationship to Wolfe is complex and amusing. Archie kow-tows to Wolfe, as is proper for an underling in the early 1940's (when the book was originally published. The book is in its 11th printing!). However, he is as irrepressible and timeless as Huck Finn and as uniquely American. He shines as a cavalier, a detective, and a loyal employee. The other characters sparkle. The book is a must for any Nero Wolfe fan or for any mystery enthusiast. Stout's writing is, as always, entertaining, amusing, and witty. This is a book you can read often, even after you know "who'dun it."