Bette and Joan

This is a really well-written book---two bio's in one, parallel chronologies expertly interwoven, and bountiful barbs. Hilarious as well as poignant, this one volume brought these true legends much more to life than any of their individual auto/biographies I've read. Through comparison and contrast---more often than not in their own oblique or direct words---Considine captures Bette and Joan from angles not, I think, so fully considered in other works. One comes to a better understanding of their personalities and how each both affected, and was affected by, their numerous characters as well as each other in their endless arguments over which was the "actor" and which the "star." Augumentatively orbiting each other for decades until their professional tangent in "Baby Jane", these two really did share much mutual respect and admiration, though seemingly less for the person and more for the performer. Virtually all of it, however, went unexpressed or unbelieved.One wonders what might have been had these two followed the last sentiments of Jane to Blanche: "you mean all this time we coulda been friends?" But think of the tangalizing tale of Hollywood oneupmanship we would have missed if they had.(note: there is no mention of Bette's death in this 1989 publication, which evidently preceeded it in October of the same year)

I absolutely loved this book!... The amazing thing was, I expected to hate Joan Crawford and love Bette Davis, but my reaction to the book was the exact opposite. Bette comes off so cold and callous as to be downright inhuman. Joan, on the other hand, is fascinating, passionate, and utterly, utterly human. The funny thing is, it is obvious to me that the author shares my initial prejudice; clearly, he intends for us to love Bette and hate Joan, but even so, Joan comes off far more interesting and sympathetic.The person who comes off the worst is Joan's daughter Christina, author of "Mommie Dearest." She appears as nasty, vicious and a total brat, even as an adult. Again, the author clearly intends for us to side with Christina against Joan, but I empathized with Joan. For example, on page 275, the author tells us Joan employed "mental torture" on Christina. Yet his only three example are, Joan burned a pair of Tina's "tight toreador pants", made her do "messy housework" and, for her birthday, gave Christina a single earring, with the promise that she would receive the other earring at graduation if Christina got good marks. This is mental torture? It sounds like basic parenting to me. I wish more parents would burn their teenaged daughter's [ugly] clothes. It makes me think that all of "Mommie Dearest" is grossly exaggerated, written by a bitter, vengeful Christina who desperately wanted to tarnish her mother's image.The author tells us that Joan made many attempts to befriend Bette Davis, and was constantly repulsed in the most vulgar manner. Bette, though a far greater actress, seems a total bore in real life, unconcerned about her husband(s), her children, or anything except her own genius. She never passed up a chance to humiliate Joan. I'd much rather spend an evening with Joan.

THis book examines the so-called fued between Bette Davis and Joan Crawford. It follows the girls lives from childhood, to their acting careers, and to their battles with their grown children. It is extremely thorough Mr. Considine interviews numerous actors, families, and the lovers of both Davis and Crawford. If you are a Joan Crawford or Bette Davis fan, this is the book to get

This is a wonderfully trashy book that focuses on the careers and lives of the great Joan Crawford and Bette Davis. It's by far the best book on either of them. Great book for anyone with a good sense of camp who enjoys these great actresses!