Behemoth: B-Max

According to Watts, this is one of those American split the book in two deals. Not having read the earlier two as yet, what I would characterise this as most like would be 'Revelation Ocean' rather than 'Revelation Space', with that everybody is out to get everybody type of feel with the Ultras. You have here modified humans whose brains work differently, opposed to their wealthy creators, and crazy viruses, both organic and machine affecting everyone. Interesting, though. Maybe a 3.75, because this is not yet finished, as two of the architects of the mess go back up to the ground to see if they can finish things off.

If _Maelstrom_ showed how the world ended, in _Behemoth: Book One: B-Max_, the reader gets to see what life is like after it is all over, at least among some of the survivors. For the most part, the world of the _Starfish_ novels (the _Rifters_ trilogy, though technically the third book had to be split into two books for publishing reasons) has shrunk to a single location for this novel, a community established at the end of _Maelstrom_ (if community is the word one would use), a sometimes-friends, more-often-enemies collection of rifters and corpses located at the bottom of the mid-Atlantic Ocean. The corpses in desperation had established an underwater city that they hoped was going to make them not only safe from Behemoth (though they also had medical fixes to make themselves immune to Behemoth) but also any reprisals by a spastic, presumably dying world that was lashing out at both old foes and those presumed to be responsible for the world-ending plague. The rifters, lead by Lenie Clarke and Ken Lubin, found the corpses, at first with thoughts to exact revenge, but instead gradually were forced to work together by various circumstances, chief among them the facts that they were isolated from the rest of the world and were unsure who outside their underwater domain was left alive (and afraid to go looking thanks to the both incredibly hostile electronic lifeforms called Lenies and also a real fear of reprisals from nations and powers outside of North America). Much of the action centers on the swirling politics of the Mid Atlantic Ridge community, largely from the point of view of the rifters, though there was a thread on the spiraling descent into completely amoral evil of the enormously powerful Achilles Desjardins. Readers from _Maelstrom_ will recall that not only is he free from Guilt Trip he is free from guilt of any kind, yet he still possesses the incredible powers of a `lawbreaker, needed now more than ever (and the powers that be are still completely unaware of his changed mental status). Though they weren't too graphic, I will say the chapters exploring the mind of Desjardins were pretty intense and somewhat disturbing, though some of it was a building sick dread, based on information the author gave to the reader bit by bit, and part of it was my imagination of what happened next after the book's focus switched back to the rifters and corpses. I didn't think the book was quite a strong as either _Starfish_ or _Maelstrom_ and some of the stridently one-note political attitudes of some of the rifters got tiring and too much time spent at the underwater city made the setting feel a bit claustrophobic (though it did really help drive home themes of the rifters' and corpses' isolation and the destruction of the world). I also felt Watts could have developed some of the corpses a bit more, though as the books are really about the rifters that is understandable. Still, a good book and it held my interest. I am reading book two o

Five years have passed since a vengeful cyborg Lenie Clarke released Behemoth on the world destroying everything in it path as the microbe is eating up matter. Digital monsters add to the pandemic devastation using Clarke as a rallying cry to devastate survivors through what is left of the Internet. Meltdown Madonna cults dedicated to Clarke pledge mass suicide as they rule alongside deadly war lords on the surface. However, on the ocean floor, Lenie Clarke has learned the truth that her grudge was built on a false premise. As the altered rifters and the technoindustrial corporate executives hide in fear in Atlantis on the ocean floor of the Midatlantic Ridge, the grim reaper comes for them. Only Lenie Clarke can save the few, but first she must face the consequences of what she wrought for she knows she can never achieve salvation as she can not wash the blood from her hands even with water everywhere. As with STARFISH and MAELSTROM, BEHEMOTH: B-MAX is an ultra dark and gritty action-packed thriller yet the tale as with the first two books is character driven especially by Lenie. The story line moves forward at a current faster than most science fiction novels, but contains irony throughout as Lenie learns the truth and like Lady Macbeth cannot simply wash the blood from her hands. Though B-Max is book one of a two book conclusion , this is a well written gripping entry, but fans of post apocalypse thrillers would be better served by waiting a few months for the release of the climatic novel and then read all four books in succession. Harriet Klausner

Not only was this book believable and its characters eerily recognizable, in regards to such tense people in our own reality, but it compliments virtually every other sci-fi available, from the space operas like "Starship Troopers", "2001", "2010", "Rendezvous with Rama", "Advent of the Corps", but incorporates the high tech level of cyberpunk like "Neuromancer", "Prey", "Snow Crash", "Cyber Hunter", and many more. Great read!

Before I can review the content of Peter Watts' "Behemoth: B-Max" there are two facts I need to mention. The first is that it represents the third book of a trilogy, and I would strongly recommend one tackle the first two volumes ("Starfish" and "Maelstrom") before reading this one. The second is that "Behemoth" should be one six hundred page book, but because of trends in the publishing industry it's being published as two separate volumes. The author is completely forthright about this fact, and I believe him when he says that this was not his preferred method of publication. Because of this approach, precious little is resolved in this first volume; so if you aren't a fan of cliff hangers, you might want to wait until "Behemoth: Seppuku" is published in late 2004/early 2005 to read this volume.For those of you who are new to the series, here is a brief synopsis that should tell you whether or not these books are for you. Essentially, the story arc is about evolution: human, animal and electronic. By mixing a blend of biology, computer science and chaos theory, Watts has created a near future Earth where man is simultaneously at the height of his powers and walking the knife's edge of total ecological failure. In an effort to maintain the high standard of Western living mankind has turned to deep sea geothermal power to meet their energy needs. Miles below the ocean, specially engineered humans culled from the dregs of society maintain these power plants. However, what no one could have expected was that they would encounter an organism that would unleash an apocalypse. Part hard science-fiction, part post-apocalyptic, the first two books represent a genuinely original voice in the genre.All that said, "Behemoth" represents another superb piece of writing by Watts; it contains all the tension and fascinating science of the earlier volumes, but also displays his increasing talent. The structure of the book is more sophisticated and subtle than the previous volumes, and I say this not to criticize the earlier books, but to highlight the strengths of this one. Set five years after the events of "Maelstrom", "Behemoth" finds the remaining rifters and the surviving North American elite living in an uneasy truce on the floor of the Atlantic. Presumably safe from the disease that is ravaging the rest of the world, they have managed to come to an accommodation that allows everyone to live and let live. Foremost among the rifters are Lubin, the one time spy, and Lenie Clarke, the Meltdown Madonna herself. Opposite them is Patricia Rowan, their one time nemesis and sometime ally. Alone, they might have formed a shifting but stable triangle; however, their constituents, particularly the more militant rifters, force a situation that is never far from open warfare. This dichotomy is beautifully executed by Watts, and represents a shift in his approach. Where much of the tension in the prior two books was environmental, in "Behemoth" he has