This is a new account of the prose fiction of Samuel Beckett from Murphy (1938) to Worstward Ho (1983). Drawing on contemporary literary theory, the book rejects the idea that Beckett is an author committed to expressing a particular view of the world. Instead, Beckett's fiction writing is examined in terms of its struggle with the perplexities and uncertainties of difference and identity. Beckett's literary bilingualism, his experiments with literary...