Batman: Dark Victory

I'll admit, at first, I was hesitant to pick up "Dark Victory." Its predeccesor, Loeb and Sale's classic "The Long Halloween" was such an awesome, page-turning whodunnit that utilized all of its characters so well, that I thought this would fall prey to the usual curse that befalls sequels and come up short of capturing what made the original so great. But I was wrong. This tale IS great, deserving of being placed on the same level of "The Long Halloween." The tale picks up right where the original left off. Batman, along with his ally Commissioner Jim Gordan, is still devastated by the loss of one of the few people in his life he had come to trust: the former District Attorney Harvey Dent (whose origins as Two-Face were spectacularly retold in "Long Halloween"). Meanwhile, Gotham City's various Mafia families, particularly the Falcone Family around which the previous story centered, are regrouping following the death of so many of their members at the hands of the Holiday Killer, and their grip on the city continues. Standing in their way, however, is the rise of the "Freaks," the familiar members of Batman's rogue's gallery (The Joker, Poison Ivy, Mr. Freeze, The Penguin, The Scarecrow, etc.). Led by Two-Face, they intend to drive the Mobsters out of existence and sieze the city for themselves. The city is once again a battlefield against crime. Enter the Hangman Killer. Echoing the Holiday Killer's method of attacking on holidays, the Hangman goes after former and current police members, hanging them by nooses while leaving crude renditions of the children's game "Hangman" pinned to their bodies (all of which are mysteriously written on materials closely associated with Harvey Dent). And thus begins another page-turning round of Whodunnit, as Batman must once again put his master detective skills to work, deducing the killer's identity in the midst of his battles against Mobsters and Freaks alike. The tale is amazingly coherent, keeping you at the edge of your seat from the start to finish as you yourself try to deduce who the Hangman may be. And let me tell you: it's a shocker. I sure didn't see the revelation coming, and I doubt many others did. It was all a great payoff to all the build taking up most of the tale. And to top it all off, this story also contains a retelling of the origins of Robin, as Bruce Wayne takes in an orphaned Dick Grayson (whose parents' death is loosely tied into the main plot of the story) and finds in him an unexpected partner in his war on crime. There's also the usual quality from the Loeb/Sale team that we saw in "The Long Halloween." Sale's art is just as good as ever. The gangster drama and action plays a great part in the story alongside the murder mystery, and, like the previous story, is accompanied by more references and nods to film noir and Mob movies, particularly "The Godfather" (there's even a scene in the book that is taken directly from the famous horse-head-in-the-bed scene!)

Jeph Loeb and Tim Sale have done it again. "Dark Victory" begins where "The Long Halloween" ended and creates a new intriguing murder mystery where once again, the obvious answers are the most unlikely and no one can be trusted. It continues to pay homage to the late 30's/early 40's noir style and madness that lurks on (and beneath) the streets of Gotham City. The Gotham police force is slowly being annihilated by a killer known as "The Hangman" while the mafia families have united in a war against the crazed rogues of Arkham. Unfortunately, they've all escaped and established Two Face as their leader to control the city. Commissioner Gordon's security efforts are strained by the new no-nonsense district attorney, Janice Porter. Despite her prim and firm manners, her intentions are just as vague as the other "Dark Victory" characters. Batman toils to discover the Hangman's identity but the memory of Harvey's demise still haunts him. Blaming himself for his friend's tragedy, Batman distances himself from close allies and gradually loses his identity as a human being. His relationship with Selina Kyle and Catwoman is a strained romance while his work life becomes a heavy toll worn on by Gordon's frustrations. "The only problem with being alone, Master Bruce, is being alone," Alfred notes. As the Hangman's noose tightens around Gotham's finest, as the criminal war continues to devour sane and insane men alike, as both Bruce Wayne and Batman slip down the void of despair, he finds himself akin to a feisty but extraordinary person: Dick Grayson. A tiny but determined boy with piercing blue eyes and an adorable pout, Dick is tragically orphaned and finds his destiny interwtined with the Dark Knight. The origins of Robin make this story enticing for any big Bat-fan. This story isn't about the transition from darkness to light as much as it is about finding inner strength and comfort by finding (and trusting) a friend. There are terrible loses and sacrifices for both Batman and Commissioner Gordon but they find respect for one another. Gordon is reunited with his family just as Batman constructs a surrogate family, a comfort to ease his troubled mind. The Hangman's reign terror cannot stop Dick from his want of justice and opportunity to become a better person. When he chooses to ally himself with Batman, both orphans emerge from the darkness wiser, determined, and no longer alone.

In this sequel to Batman: The Long Halloween, a new District Attorney has plans to clean up Gotham, and her plans include cleaning up Batman. But, someone is playing Hangman, and with each new game, someone in the police department gets hanged. As if things aren't bad enough, a mass breakout from Arkham puts a lot of super-villains on the street (including Two-Face, Joker, Solomon Grundy, Poison Ivy, Mr. Freeze, and Penguin). This is another great graphic novel, and a worthy sequel to The Long Halloween. I thought the story was nice and gripping (just like a Batman story should be!), while the illustrations were wonderfully done, making the whole read that much better. I enjoyed the Catwoman character once again, and thought that the author did a great job with the Robin character. I highly recommend this book to any, and every, Batman fan!

Jeph Loeb and Tim Sale have done it again in "Batman: Dark Victory." The story is still a "whodunnit" and is similiar in formula to the first (killings take place on a Holiday). The target this time are "cops" and many "cops" only mildly remembered in previous Batman stories are quickly brought into this story only to be killed.The plot thickens as Gordon and Batman try and get the killer. The art work is much better than the Long Halloween. It has a similar style, but is perfected in this series, especially on the Batman. The story is thinner and I easliy figured out the killer after the first death. Neverless, the story is still written so well, I stayed tuned and felt compelled to go on. Enjoying every minute as I turned each page. Robin is skillfully brought in to the story.Even if you have the magizine format, get this special hardbound edition. You can re-read the story withhout touching the magazine (therefore, not having to take a chance of devaluing the comic)and enjoy the read.