Introduction: Truth, History, and Counterdisciplinary Practices in Film Studies Terrible Beauties: Messianic Time and the Image of Social Redemption inJames Cameron's Titanic Infinite History: Martin Scorsese's Gangs of New York and the Productionof the Inexistent 'No Dreaming, No Story, Nothing': Baz Luhrmann's Australia, theCinematic Common, and Postcolonial Discourse Conclusion: The Glorious Truth about Inglorious History in Quentin Tarantino's...