Avery Preesman's work makes the term "organic" relative. His paintings and sculptures naturalize our relationship to what can only be called a forest of signs, confirming the extent to which what we see and how we see it are in fact already abstract. Based on formal impressions of quotidian and personal subjects, Preesman's brand of abstraction is very open-ended. The elements of his work tend to be spare, their relationships simple, and the handling...