At the Back of the North Wind: Complete and Unabridged

If our public schools had children read George McDonald's stories rather than Edgar Allen Poe, there would be a greater connection between literature and spiritual growth. While "At the Back of The North Wind" is written from an unapologetically Biblical world view, it is neither boring nor preachy. Diamond, the main character, is a working class boy helping his parents to survive in a lower class part of London. His life is changed when he encounters a representative of the Holy Spirit. The characters they encounter on their adventures, are sometimes mean, sometimes kind, sometimes dense, but always believable. Diamond is a boy that most children can relate to. The London he and the North Wind travel through is not idealized like a Currier and Ives painting. While George McDonald scholars consider PHANTASTES and LILITH to be his master pieces, "At The Back of The North Wind" is less turgid and my favorite. Those who enjoy it will probably enjoy McDonald's "The Wise Woman."

I'll start out by saying first and foremost, this is one of my favorite books. But let me also add that I love it, not ignoring its flaws, but regardless of them. And it does have flaws. I have read that the lead character Diamond is unbelieveable, especially after the main turning point of the story. That's okay. He's supposed to be. Without giving away too much plot, Diamond coming back from the back of the north wind is almost akin to Paul being called up to heaven, they were both changed, and for similar reasons. Aside from that, he is no more unbelieveable than Dickens's Oliver Twist or Paul Dombey. Paul Dombey being a much better comparision, as I must think MacDonald based Diamond upon him somewhat. Speaking of Dickens, some critics have complained that MacDonald tricks the reader by making half of the novel a fantasy but then switches abruptly to a Dickensian type social commentary. Once the family moves to London, he seems much more concerned with the ills of that place than with the earlier fantasy. I can't argue with that. It does happen. After the main turning point, the North Wind makes very little appearance until the end. I think this is a very important part of the book, and while the fanicful moments seem to be where MacDonald excelled, the latter half of the novel is not lacking in greatness, as it maintains a fantasic aspect, though not the same one of as the first half. That being said, it should be known that I ademently love Charles Dickens. If you don't care for his works you may want to reconsider this novel, as I think it is laced with many Dickensian elements--a "problem" not usually seen in a MacDonald novel. Also, I have heard this book attacked because, as a children's book, it is hard for children to grasp the meaning of it. I think it's a weak attack and better men than me have put up better defenses. MacDonald himself, for one. "Your children are not likely to trouble you about the meaning. They find what they are capable of finding, and more would be too much." That being said, it is a religious story, though not out-right and not allogorical either. It can be ignored or embraced, dependant on your views. Now that I've addressed those main attacks, I'll go back to those flaws I mentioned. Like every book I've read by MacDonald, there are lulls. They are much more sparse than in his other novels, however, and easily gotten through. They should hardly be a main concern. His writing style is not perfect either, though it is hardly bad. It's just "less good." But the story will make you overlook some of his less than wonderful moments. The ending of the story is another flaw, in my opinion. Not that I feel the ending should've been changed, but I would've prefered it to be better kept from the reader. That did not take away from the power of it, but I did see it coming about half-way through. But maybe I'm just expecting too much. Despite those three complaints of mine, At the Back of the N

I am quite ready to add At the Back of the North Wind to my collection of masterpieces that shall remain close to me, I suspect, my entire life. While a collection of favorite books by C. S. Lewis' site largest on that shelf, At the Back of the North Wind will be the second book by George MacDonald to join them. This seems quite appropriate as Lewis himself held MacDonald in such high esteem, even calling him his `master.' While more childish than Phantastes, At the Back of the North Wind manages to enchant my imagination in the same way that Narnia always has, while upon first inspection the tale may seem to be of little substance to a more mature audience I think there is subtle depth hidden within the deceptively simple child whom the story centers upon. Diamond is the young boy of a poor coach driver and his wife living in England during the late 1800's. The story begins in the hayloft above the horse stalls where Diamond sleeps, as the wind blows, but it is not a simple wind, it is the North Wind, the romantic and enchanting idea of a grand lady who is the north wind. Diamond, the infinitely innocent and pure child is beckoned into the air and weaved into many journeys with the north wind where he learns goodness, truth and beauty. Throughout the story, other people see him as quietly wise or as one of `God's Babies.' As the story progresses Diamond becomes week and ill and while being taken to the enchanted country at the back of the North Wind he lapses into unconsciousness. Diamond returns, and with what strength he has, blesses everyone whom he meets; helping his family by driving his father's cab while he is ill, saving an orphaned friend off the streets, even quieting the drunken man's baby who lives next to him, whom even mistakes him for an angel. Finally touching the heart of the rich, but generous and altruistic man who looks after Diamond's orphaned friend and gives Diamond's father a job and lodgings in the countryside. Yet, it is not these heroic acts, if one might call them that, resound so thoroughly, he is not doing good deeds, doing good deeds seems almost insincere when considered next to his genuine good nature. Like Narnia and Phantastes, there is a longing for something we may never fulfill here in our daily lives, a longing for something we have only hints of, Lewis defines this as Joy, for Diamond it is the longing for the country at the back of the North Wind, of which his first journey there is only a hint of the true country. As for me, I too feel this longing and it is an experience likely to be found in a quite forest and in the embrace of this extraordinary book.

This enchanting classic is as lively and moving to read as the day it was written. There is no Victorian stodginess or moralizing here. I remember reading an essay where Simone Weil lamented over the difficulty of portraying goodness in literature--in fiction evil seemed to dominate. Well here in the character of the lad Diamond is one of the most convincing evocations of human goodness and saintliness in literature, childrens' or adult. One is reminded of St. Francis of Assisi when contemplating Diamond; his purity, innocense, and unselfconsciousness float right off the page. I especilly call your attention to the dialogue between Diamond and his mother on the beach as she tries hopelessly to explain to him that now they are poor. His sublimely worldly (and yet otherworldly )responses are both hilarious and deeply moving. One of MacDonald's core beliefs, so often and passionately stated throughout his writings, is here given flesh and blood: goodness is truth.

I read this book from the library and once again, I am buying a copy. My 14 year old son is now reading it and can't seem to put it down. George MacDonald's imagination is incredible. You never know what is next.The story is of a servant's child who is visited and taken on journeys by the Lady North Wind. It is set in the time period of Charles Dickens' stories and is refreshingly challenging.Unlike many of today's books for children, it makes them think about life's myteries and challenges their intellect and values. I think most people find it 'boring' or 'difficult to get through' because it is so unreasonable.