Finally, the acclaimed gay Chicano writer's unpublished short fiction, poetry, and essays are available in this collection Prolific poet, essayist, and short story writer, Arturo Islas (1938-1991) is well known for his two insightful novels, The Rain God and Migrant Souls. His untimely death to AIDS truncated a productive and influential career that has left an unbridgeable gap in Latino letters. Islas was a dedicated, thoughtful, and style-conscious writer, who promoted a sense of responsibility to community and art for both writers and critics. The quality of his commitment was matched by the example he set in delving into the esthetics and psychology of gay creativity, an exploration that took him to uncompromising confrontations with his own traditional upbringing. Islas has made his mark as a writer of the U.S.-Mexico border and a leader at the forefront of the exploration of more social, psychological and philosophical boundaries. As a Chicano from El Paso and a gay Latino writer, Islas surmounted many boundaries, borders and established roles; in this, he is a standard-bearer for all of Latino literature. A seasoned scholar and professor in the English Department at Stanford University for most of his professional life, Islas maintained an extensive collection of works, records, and papers. The present volume is the product of another Stanford graduate, Frederick Luis Aldama, who combed through the Islas archive and recovered the short fiction, poetry, and essays on Chicano letters that Islas did not have the opportunity to publish. Aldama has organized these materials and edited them so that they may be accessible and broaden the vision of Arturo Islas as writer and thinker.
Must Read for any Interested in Chicano/a and Gay Studies
Published by Thriftbooks.com User , 21 years ago
Dr. Aldama's critical and biographical introduction to the work and life of the late Arturo Islas (author of The Rain God, Migrant Souls, and La Mollie and the King of Tears) beautifully contours the nuances of all of this Chicano author's unpublished poetry, short stories, and scholarly essays. Culled from archives at Stanford University, the many works collected and edited offer a complex view of Arturo Islas who began to explore in fiction and poetry issues of sexual (gay) and racial (Chicano) identity in his early 20s (the late 1950s) while taking classes with Hortense Calisher, Wallace Stegner, and Yvor Winters at Stanford. For any scholar serious about Chicano/a literary studies--or any reader interested in Chicano/a letters generally--this is a must read.
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