Artists in Exile: How Refugees from Twentieth-Century War and Revolution Transformed the American Performing Arts

I agree that Horowitz does a better job with music, which is after all his specialty, than with film, but I found his assessments of the costs of exile very interesting and well-argued. His appreciations of Mamoulian, Nazimova, Mitropoulos, Varèse, and other less-currently-heralded artists are particularly welcome, though often quite heartbreaking.

This is a great book, very well researched and written in an easy-to-read manner. I don't understand the other two reviewers - I even checked to see if I had bought a second edition when I read about the language being a "disgrace". There are a couple of typos early on, but the rest of the book is beautifully written. I can't judge about the correct year of a movie being 1915 or 1916 or 1918, which another reviewer lists as one of the "wince-making" errors in the book, but in my opinion this is beside the point. Scholars interested in a specific person profiled here will not buy this book; they will buy a biography of that person instead. This book is for anyone who wants to learn more about the impact of a sudden change in culture on people's ability to make art - the change being of course the ascent of the Nazis to power and World War II, which drove many Europeans to exile in the United States. The author doesn't restrict himself to one genre, instead choosing to cover dance, music, cinema and theater; as a result, he spends only a few pages on each of the many celebrities (Toscanini, Dietrich, etc) he writes about, but there are enough notes at the end of the book to help the curious reader find references regarding this or that person. Besides, many artists with high potential did not fare too well after they arrived in the States and are now largely forgotten. I can see how the lack of space devoted to any one person might frustrate some readers, though. The book is more an overview than an in-depth examination of how exile has affected specific individuals. I loved that book, and highly recommend it to anyone who wonders how changing cultures in adulthood affects artists and their ability to make art.

Great subject, interestingly told, but did anybody edit the language? It's a disgrace. If so many mistakes made it through, I wonder whether anybody did any fact-checking either.