Art History Combined, Revised Combined (W/CD-ROM)

Although large and weighty, the book is beautifully packaged and binded. The quality of the text is certainly worth the cost. Stokstad's Art History briefly covers the history of art from pre-historic to contemporary early 21st century art. The types of art range from medieval to roccoco with several chapters covering non-western art (Chinese, Japanese, African, Pre-Columbian, etc..). In addition to the wide range of material, the author provides a text that is an excellent source of definitions for art terms and a substantial bibiliography. Although it is only a survey of a variety of art, the bibiliography is an excellent source for locating other texts for further reading on the topic of your interest. Most importantly, the cd-rom that comes with the book contains both a study guide and the images of the excellent illustrations which are found throughout of text.

The $30 version is too good to be true. Although it would appear that you are ordering an "attractively packaged two-volume set," you are actually ordering a study guide for what I am sure is an attractively packaged two-volume set.

Marilyn Stokstad has put together a real masterpiece of art history with her book, Art History. In collaboration with Bradford Collins, and with contributed chapters from Stephen Addiss, Chu-tsing Li, Marylin Rhie and Christopher Roy, this large volume published by noted art publishers Henry N. Abrams, Inc. is deserving of pride of place on any art bookshelf. The scope of this work is as broad as is the expanse of human history. Indeed, the first chapter begins with a survey of prehistoric art and prehistory. Spanning all the ancient cultures, there are chapters devoted to the art of the ancient Near East, Egypt, the Aegean, Etruscan and Roman art, Christian, Jewish and Byzantine art, Islamic art, the art of India, China, Japan, the Americas and Africa. And from there, it gets complicated!This book tackles all the issues of art: philosophical considerations (the relationship between art and reality, and the meaning and importance of beauty in art), focus on artists in general and in particular, society's relationship to art, including the role of the patron, the importance of museums, and an investigation that goes behind the phrase, 'I know what I like.' 'Art history, in contrast to art criticism, combines the formal analysis of works of art--concentrating mainly on the visual elements in the work of art--with the study of the works' broad historical context. Art historians draw on biography to learn about artists' lives, social history to understand the economic and political forces shaping artists, their patrons, and their public, and the history of ideas to gain an understanding of the intellectual currents influencing artists' work.' In addition to presenting a history of art, Stokstad and her contributors also present an introduction to various aspects of art appreciation, without with art history loses much meaning. Each chapter has an explanation of the techniques that were developed and important during the time under examination (for instance, lost wax casting, glassamking and Egyptian faience, Japanese woodblock technique, and Islamic carpet making, among many others, are illustrated in detail to enhance the knowledge and appreciation of the finished art works). Each chapter and time period also has a section entitled Elements of Architecture, which include discussion on elements from pyramids to skyscrapers and much in between. The text is clear and concise, carefully explaining technical terms when they are used, and then using them sparingly. Every page is a visual feast, with full colour plates of photographs of paintings, sculpture, artists, locations, or architectural examples in great form, as Henry N. Abrams, Inc. publishers are famous for doing. There are literally thousands of illustrations, as there are often many per page; almost no page is without one, and the book is nearly 1200 pages long. As an aid for those who will use this book for more scholarly purposes, there is an extensive bibliography in the back, in three clas

This book is simply wonderful. It is indeed physically ponderous (this 2nd edition is one very, very large book, not two slipcased books as shown in some illustrations). However, its content easily compensates for its considerable bulk. All historical periods of art history are chronicled, with copious illustrations well-produced and nearly all in color. The text is incisive and easy to follow, yet never boring.I recommend this book to any and all art lovers, whether beginners, advanced students, or just those who desire a comprehensive reference for library or home use. I personally consider this publication a better choice than the otherwise excellent Janson "History of Art" for most readers-- the writing is just more user-friendly, in my opinion (and the content is more inclusive, especially regarding non-Western art).

A beautifully written and organized, gender and ethnic inclusive survey of the world's art history, east and west. Since almost all early art was made in and through a spiritual tradition, there is here much needed art historical attention to the basic teachings of world religions. Also included are special sections on art methods and materials, providing an excellent survey for studio as well as history of art majors. Richly gender inclusive -- give this to your daughter if she wants to be a sculptor, an architect, a printer or painter!