Antigone (Greek Tragedy in New Translations)

The third of Sophocles' Theban plays chronologically and the first written, Antigone is his second greatest world literature contribution, second only to Oedipus the King itself. Like that work, its greatness has reigned for nearly 2,500 years, and it is still a model of what tragedy should be; deftly plotted and perfectly executed, it has a sympathetic protagonist, a crushing climax, sublime poetry, and a wealth of meaningful themes. Though less famous than Oedipus the King and not quite as great, it is so tantalizingly close that it remains an immortal masterpiece. It is essential for everyone. As in Oedipus the King, the title character may be the aspect that has always spoken most strongly. Though not a tragic hero in Oedipus' strict sense, Antigone has fundamentally human thoughts and feelings that make her supremely relatable; we feel with and for her because we see ourselves in her. She may be extremely high strung, and her actions and emotions may be highly wrought, but she is an extreme case of what the dark, often contradictory emotions at humanity's heart can lead to if followed to the logical conclusion. Whatever her faults, she is far more sinned against than sinning, and the depiction of her doomed love and tragic end are profoundly moving; few portrayals are more pathos-drenched. However ostensibly different from us, she has the indisputable human core necessary for a truly moving character. Whether or not we agree with her, we sympathize strongly, and her determination and resilience are truly admirable. We must not overlook the significance of a female protagonist in an ancient Greek work. Greek society was truly a man's world; women were oppressed to an extent that has long been unthinkable in the Western world. They were not considered unequal so much as hardly thought of at all; indeed, they seem not to have been allowed at dramatic performances - a true irony here. Antigone has thus unsurprisingly been the focus of much feminist criticism. Calling it proto-feminist would be too much, but having a female protagonist - much less a sympathetic one - was indeed notable. Though lacking Greek male heroes' attributes, she is a far cry from the wily but essentially frivolous goddesses and women in Homer and elsewhere, to say nothing of helpless damsels like Helen. The play vividly showed that, however insignificant women were, their wishes could not simply be ignored - and that tragic consequences may result if they are. It was not until far later - perhaps the mid or late Victorian era - that literature had another heroine of comparable strength. Yet she is not the only interesting character; indeed, strictly speaking, Creon is the true tragic hero. Much like Oedipus, he has tragic flaws - arrogance, narrow-mindedness, impulsiveness - that lead to his downfall. It is hard not to hate him at first, especially considering the story's background, but at least as hard not to be moved by the truly pathetic picture of the broken man h

This play asks timeless moral questions. We had a 2 hour discussion on it, and left wanting to say more. This translation was much clearer and less wordy than some of the others the group had with them.

I read Sophocles Antigone for graduate Humanities class. It is an essential reading to understand Greek Tragedy. It is also a foundation stone of literature in studying Western Civilization. Antigone, daughter of Oedipus in 3-cycle play, faces capital punishment for burying her brother who rebelled against Thebes. Obeying instincts of loyalty of love and the divine law, she defies Creon, the King and her uncle. Creon says laws of states outweigh all other laws, and family loyalty, when he finally relents it's too late. Over the centuries there has been a great deal made about the conflicts played out in the play, law of state vs. law of goods, personal vs. state duties. Loves knowledge vs. state knowledge. Greek understanding of tragedy- Aristotle lays down understanding of Greek tragedy. He based it on Sophocles. Tragedy- most important thing for tragedy is plot, it is all essential. Tragedy defined as- is imitation of an action that is serious, complete and of a certain magnitude in language embellished with incidents arousing pity and fear ant to the audience it accomplishes catharsis of such emotions. Every tragedy must have six parts that determine its quality. 1. plot 2. character 3. diction 4. fault 5. spectacle and 6. melody. According to Aristotle, tragedy is higher and more philosophical than history or poetry; it is one of the highest expressive forms because it dramatizes what may happen. History is a narrative that tells you what has happened tragedy shows what is possible. History deals with particulars, tragedy deals with the universal. Tragedy creates a cause and effect chain and shows how the world operates. It frames human experience in universal discourse, tragedy is central in this effort. Tragedy arouses pity and fear in audience because we can envision ourselves caught in this cause and effect chain. Plot most important feature, the arrangement of incidents, the way incidents, and action is structured. Tragedies outcome depends on the outcome of these cause and effect changes not on being character driven. Plot must be whole, beginning middle and end. Beginning must have a motivation that starts the cause and effect chain of events must be a center or climax that is caused by earlier incidents. There must be an end some kind of closure caused by earlier events in tragedy. This is all part of the complication of the tragedy all must be connected. You can't have a dues ex machnia in a superior tragedy. In tragedy, the hero or heroine walks knowingly towards the fate that is written and can't be changed. Unity of action plot must be structurally self-contained, each action leading invariably to the next without outside intervention. The worst kinds of plots are episodic, like a Jerry Seinfeld sitcom, can't be something about nothing, must have unity of action. Magnitude, quantatively meaning length, and quality of action, it must be serious. Must be of universal significance, depth, and ric

"Antigone," the drama by Sophocles, has been published as part of the Dover Thrift Edition series. The Dover version is translated into English by George Young. An introductory note states that the play was first performed in the 440s BCE.The introductory note also includes a brief summary of events leading up to the events of this play. "Antigone" concerns the family of Oedipus, former ruler of the city-state of Thebes. As "Antigone" opens, Thebes is ruled by Creon, the brother-in-law of Oedipus. Creon is at odds with his niece, Antigone, because he denies a proper burial to Antigone's brother Polynices. Antigone's intention to defy her uncle sets this tragedy in motion.This is a powerful story about familial duty, social customs, gender roles, and the relationship between the individual and governmental authority. The issues in this play remain relevant today, and are powerfully argued by Sophocles' characters. At the heart of the play is this question: Is it right to disobey a law or edict that one feels is unjust? But "Antigone" is not just a philosophical meditation; it's also the story of a very personal clash between two strong-willed members of a very troubled extended family. A bonus in the play is the appearance of the seer Tiresias: it is a small but potent role. Overall, this play is a solid example of why ancient Greek drama has stood the test of time.