Anansi Boys

I love all things Neil Gaiman, Anansi Boys is no exception! I absolutely loved the creativity and quality of writing.

This is a very nice addition to Gaiman's book "American Gods"--one of my favorites. It is a thoughtful, character driven story with good humor and an interesting take on traditional folk tale characters. I highly recommend this book, especially if you enjoyed "American Gods."

Right from the start Mr. Gaiman nail it. A fast, humurous and dark ride he presents in this novel. Fat Charlie, Rosie, Grahame Coats, Spider and Mr. Nancy, all characters that will haunt you and most probably make you smile when you are not reading the book. No mistake. Mr. Gaiman did it again, great book!!!

You think your dad is embarrassing? Well, at least he isn't an African trickster god -- now that would be nothing but trouble. But it's what you'd expect of Neil Gaiman, who is best known for his witty, slightly wonky brand of dark fantasy -- and his ability to spin up the most absurd stories in an entertaining fashion. And "Anansi Boys" features Gaiman getting in touch with his lighter, playful more humorous side, in a sort-of-sequel to his smash hit "American Gods." Fat Charlie's dad has always been weird -- brass bands for the terminally ill, nicknames that stick, and much more. But even away from his dad, Charlie isn't happy. Then he gets the news that his dad died during a karaoke song; when he goes to the funeral, an old neighbor tells him that Daddy was really Anansi the spider god. Even worse, Charlie finds out he has a brother. Spider is everything Charlie isn't -- charming, debonair, witty, and magical. Soon he has not only taken over Fat Charlie's house, but his fiancee as well, distracting Fat Charlie from his boss's attempts to frame him. Determined to get rid of Spider, Fat Charlie enlists the Bird Woman's help -- but soon finds that his pact will only get them in deeper trouble with the ancient gods. Trickster gods -- like Anansi, Loki, Kokopelli, or even a bit of Hermes -- are always the most entertaining part of old myths and legends. They're unpredictable, unmistakable, get all the best lines, and perpetually wild'n'crazy -- and they are also the worst kinds of dads you could imagine. They probably wouldn't make wonderful brothers, either. So of course, Gaiman goes to town with "Anansi Boys," by simply forming a story around that idea: what if a trickster god had two kids, who were nothing alike, but suddenly had to deal with one another? Gaiman also sprinkles it liberally with corporate intrigue, romance, and the old Anansi legends (which he inserts periodically). Don't expect the darker overtones of "American Gods," because this is a very different story. With this lighter tone, Gaiman sounds a lot like his pal Terry Pratchett, right down to wry humor and on-the-spot comic timing. And the dialogue is pure gold: "There are three things, and three things only, that can lift the pain of mortality and ease the ravages of life. These things are wine, women and song." "Curry's nice too." Gaiman seems to be having a lot of fun in this book. And nowhere is the fun more clear than in Spider and Fat Charlie. They're like yin and yang -- one brother is charming, conscienceless and self-consciously divine in his attitude, and the other is nervy, awkward and painfully mundane. Spider's charm leaps out from the page, while Fat Charlie is sort of Gaiman's "Charlie Brown." Don't worry, Fat Charlie improves as the book goes on. Everyone gets annoyed by their siblings and embarrassed by their dad, but the "Anansi Boys" have a life more complex than most. Lighter than most Neil Gaiman books, but hilarious, dark and perpetually clever.

good and ill together. That line from Shakespeare's All's Well that Ends Well captures the essence of Neil Gaiman's latest creation, Anansi Boys. Charlie Nancy is one of life's more passive characters. He is perpetually embarrassed by those around him. He grew up in Florida embarrassed by his father who had an eye for the ladies, never seemed to have a job, and who bestowed upon Charlie the nickname "Fat Charlie". It is a name that stuck to Charlie like glue and has followed him everywhere he goes, even to England where he now lives and works. More than anything else, Fat Charlie is embarrassed by himself. His life is an endless stream of self-conscious needless apologies for his life. As one would expect from a character like Charlie he is timid in front of his boss and can't seem to convince his fiancé that there is nothing wrong with consummating their relationship prior to their marriage. The word perpetually frustrated comes to mind here. As the story opens, Fat Charlie is back in Florida for the funeral of his father. Charlie no doubt hopes his dad's death, which occurred while singing a song in a Karaoke bar much to Charlie's embarrassment, will put an end to his own state of perpetual embarrassment. That is the closure Charlie seeks. But the old ladies who made up his Dad's circle of friends tell Fat Charlie that their father was something of a god, in fact a spider god. They also tell Fat Charlie he has a brother. Fat Charlie, of course, will have none of this nonsense and returns to England. Of course, life is never so simple for any character drawn by Neil Gaiman. It turns out Fat Charlie does have a brother, Spider, who is everything Charlie is not. Spider is personable, charming, glib, and has the ability to charm the pants off just about anyone he desires. As the name Spider implies, Charlie is soon drawn into the parallel world inhabited by Spider a world of small gods and vengeful animals. Fat Charlie is introduced to a whole new universe of characters and his ability to distinguish between fact and fantasy grows increasingly thin. Anansi Boys worked on two levels for me. First, I actually grew attached to the character of Fat Charlie. I was surprised that I developed such empathy for Fat Charlie. Generally, I do not find `passive' characters all that attractive, but, as the book wore on I felt myself rooting for him. Second, Anansi Boy is, at its heart a story about a dysfunctional (but very funny) family and explores how its members try to reach some accommodation with their past and their present relationships. This is not meant to imply that the book is weighed down with ponderous statements on the meaning of life or families; far from it. The great success of Gaiman's writing in my opinion is that he can handle a topic with both humor and sensitivity. The story does not bog down in `deep thoughts'. Gaiman spins his yarn and leaves it up to the reader to read between the laughs. I found the conclusion