An Encyclopedia of the Violin

...and a bit overwhelming. Yes, this could (and perhaps should) have been broken into several books, but the most important thing it offers now is historical perspective. This is an absolute summary of the subject, in Victorian style (though not published until 1925). Seeing all of these articles together helps the reader understand the author's expertise, and perhaps his limits. Anyone interested in any aspect of the violin will find it here, but for best results, compare with newer works. New research may further illuminate Bachmann's points. Of course, he may also rebuke modern authors who offer their 'certainties' without historical context. In short: good for violinists, instrument makers, and historians.

This book covers a great range, and is a great addition to any library. From the origins of the instrument to caretaking to technique to music theory and history, it is all here. Do not pass up the chance to own this book, especially at the prices here!!! Jack Stanley

Perhaps one of the broadest accounts of the violin ever written, An Encyclopedia of the Violin is a well-written, fascinating, and at times nostalgic account of violinmakers, performers, violin literature, and more. This is truly an epic and groundbreaking book that covers more information than one would expect from a volume several times larger. Published in 1925, it contains rare photographs of distinguished violins and bows, as well as well as vivid descriptions of intricate details of these instruments, as well as a guide on how make them! Another section is devoted to violin technique, including advice on how to play difficult passages from the violin literature. In addition, there is also a massive dictionary of violinists, containing the author's often insightful analysis into the style of the performers, and also includes their biographical information. An Encyclopedia of the Violin is so all encompassing that it could easily be split up into several fine books-Great European Violins and Their Makers, Guide to Violin and Bow Making, The Art of Violin Playing and Teaching, and Violin Performance from 1800-1925 are just a few of the hypothetical titles that the reader can create exclusively using the material in this unique and monumental book. To top it off, the introduction was written by the famous Belgian violinist Eugene Ysaye, one of the greatest players of all time, and the author's idol as a performer. While some of the material and ideas in An Encyclopedia of the Violin may seem dated to the modern reader, there is much that is timeless and invaluable and will appeal to professional violinists or anybody else that appreciates the sound and beauty of the violin.