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Paperback Methods and Materials of Painting of the Great Schools and Masters Book

ISBN: 0486417263

ISBN13: 9780486417264

Methods and Materials of Painting of the Great Schools and Masters, (vol #1-2)

Sir Charles Eastlake, a former president of the British Royal Academy and director of the National Gallery, was one of the world's foremost experts on the techniques of painting. A painter of considerable renown himself, he devoted years to traveling throughout England and Europe, where he searched through museums, monasteries, universities, and libraries, gradually amassing a collection of rare manuscripts from which he was able to reconstruct the technical secrets of the great painters of the past.
In this comprehensive treasury (two volumes bound as one), Eastlake presents the results of his researches. He offers detailed discussions of Greek and Roman art methods, medieval techniques, tempera painting, the revolutionary use of oil paints by Hubert van Eyck, Flemish methods of preparing colors, and the methods of Reynolds and other 18th-century British masters. The second volume focuses on the technical secrets of members of various Italian schools, including such masters as Leonardo, Raphael, Perugino, Correggio, Andrea del Sarto, and many others. Rounding off the book are more than 100 pages of professional essays covering a wide range of subjects -- from "Life in Inanimate Things" and "Neutral Tints in White and Other Draperies" to "Venetian Process" and "How to Compose and Paint a Single Head." Students, painters, art historians, and any lover of fine art will find Eastlake's work invaluable, both for its source material and its painstaking coverage of the technical evolution of painting.

Recommended

Format: Hardcover

Condition: New

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Customer Reviews

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Rated 5 stars
Excellent but might not be the whole story

My initial reaction on receiving this book was "Bloody hell is it big enough!?" At 1024 pages you're certainly getting a lot of information for your buck. Eastlake (1793-1865) was a former president of the British Royal Academy, director of the National Gallery, and in his day an major expert on painting techniques. Do note the book was first published in 1847, hence the writing style can be somewhat turbid. Perseverance...

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Rated 5 stars
Pivotal printed text- the only book you should have.

I was disheartened while reviewing the comments by others concerning Eastlake's work and felt personally obligated the "weigh in" with my own conclusion. Simply, C. Eastlake's book is by far the most valuable resource for any aspiring artist who believes in traditional technique. The concern about the antiquated language is well founded- indeed, the text was originally published post-mortem hundreds of years ago- but,...

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Rated 5 stars
METHOD PREVAILS OVER SPECIFIC TECHNIQUE

I have and keep a number of copies to provide to friends and students. I am so glad to see another release. If you enjoy reading historical treatises or are just an art ecclectic, this book is for you. Covering major schools of thought regarding painting from the Southern and Northern renaissance to contemporary practises (of the 1850's), this book covers one overlooked component of sucessful painting- namely method.The...

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Rated 5 stars
A Thorough History of the Use of Oils in Painting

Eastlake traces the use of drying oils and resins from the early Greeks through the perfection of these substances for use as mediums by the brothers Van Eyck. He discusses preparation of materials, execution, and technical difficulties faced in the use of an oil vehicle. This work will make you rethink everything you know about oil painting. A must read for the serious painter.

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Rated 5 stars
Filled with the secrets of western art's great masters.

This classic treatise on the painting methods of western art's great masters is an indispensible resource for the artist and connossieur. The current crop of "how-to" books that have taught artists for most of the 20th century look pathetically infantile after reading just a few pages of Sir Charles' book. Eastlake's readers were not ignorant hobbyists, but fellow scholars and masters of the art of oil painting. This volume...

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