Acts of Worship: Seven Stories

This is a group of Mishima's stories, written between 1946 and 1965, and collected in 1989. He primarily wrote novels, but these stories demonstrate that he could write great short pieces too. I once loved his writing, but I now find a lot of it disturbing. Perhaps this is due to me finding his life and death disturbing - his intense narcissism, his political extremism, and his closeted bi or homosexuality. In his writing he seemed to be after some sort of purity and beauty, but he associated these things with violence and suicide. He lived a life of great success and achievement, but was never satisfied, and began to come unglued toward the end of his life. Still, there is no denying his power as a writer. He could write lines of perfect, radiant prose. He portrayed the subtle inner lives of repressed characters with great power and feeling. A couple of these are early stories and not especially interesting, altho they do show the young writer beginning to exercise his talent. "Sword" is well written, and it showcases Mishima's fascination with kendo and youthful masculinity. "Sea and Sunset" is proof that Mishima had a great sense of humor, one that he did not show often enough. "Act of Worship" is the real masterpiece of the book, and shows Mishima at the height of his powers, doing what he does best - describing an uptight, repressed woman with the hots for a man who is out of her reach. In this case, an old maid becomes the housekeeper for a brilliant, wall-eyed old poetry professor, a man who commands great respect, but is deeply lonely. He describes their subtle communications and interactions brilliantly. This is worthwhile reading for fans, and a good place to start if you have never Mishima's stuff before.

When I first found Mishima, I wondered why I'd never heard of him before. I quickly fell in love with his style of writing tight, consistent, entertaining, and vexing novels. "The Temple of the Golden Pavilion" is one of my all time favorite novels, and with reading it I found Mishima to be my favorite author. But I had never read a short story (or play) from him until I found this collection. Now I feel even more strongly about Mishima, and even more solidly convinced that his detractors have no validity. These seven stories are all radically different; characters, time period, length--but they all hold something very poignant about them. Like the Professor recommending to his maid in "Act of Worship" the beautifully written prose of vast scenery and metaphoric imagery -- I too recommend this collection for those reasons. "Fountains in the Rain" is a simple and short narrative between two lovers, with Mishima juxtaposing the female's tears' with the fountains they (the couple) stumble upon while in rain. Wonderful layering here, but this is the one "throw-away" story (if you could even call it that). The following, "Raisin Bread", is where the stories take an almost psychologically horrific turn; the subject matter is dark from here on out, but Mishima wields this territory like a blade. "Sword" is next, one of this collection's two largest stories (the other one being the self-titled) concerning, yes, a kendo/swordplay training school. Characters are introduced quickly and tension is held high as we see guilt and honor flowing together until the final line reveals the story's conclusion. You can feel the sweat on the students' faces and can nearly see the golden hue of the dojo floor. "Sea and Sunset" takes a very different story (which is itself told inside of another story) about a French farm hand sold into slavery, landing in a Buddhist shrine in Japan. The two items in the title seem to suggest a waning of life for the protagonist. Wonderful little story. Now, the two most brilliant pieces come next. They express, alone, why I think Mishima is head and shoulders above most any Japanese literature -- and also why his detractors (who claim he falls from being able to create the metaphysical dreamscapes of Haruki Murakami) should reconsider his worth. "Cigarette" is a personal diatribe from an adolescent that would otherwise be boring if not for being so acutely written. In a few pages, I felt that Mishima and I had had the same childhood. He crossed into territory that many do (think the typical "teen experience" movie) but the end result is something entirely believable and fascinating. The grinding of adolescence on culture; feeling the need to "fit in"; feeling unwelcomed anywhere -- Mishima captures it all with clarity that I have never seen anywhere else. I'll be re-reading this one many times. When I first started "Martyrdom", I didn't expect it to hold much. Demon King? I wondered. But by the end, I was shocked. This piece

Acts Of Worship: Seven Stories is an anthology of short stories by the internationally famous Japanese author Yukio Mishima, who is perhaps most notorious for his dramatic ritual suicide in 1970. Flawlessly translated into English by John Bester, the short stories include: Fountains in the Rain; Raisin Bread; Sword; Sea and Sunset; Cigarette; Martyrdom; and the title piece, Act of Worship, and bespeak the rigid mentality of one born and rigorously raised in the traditions of the samurai caste, long after the era of the samurai. Written with biting insight, sharp ruthlessness and a keen eye for just how much (or how little) human life is worth, Acts Of Worship documents Yukio Mishima as having been an undeniably strong and articulate voice in Japan's modern literary tradition.

This a great collection to get a sense of Mishima's imaginative spectrum of characters and themes. Death and the adolescent psyche are common themes.