Having limned "the force of history," DeLillo has since turned around and gone in the other direction, into "the small anonymous corners of human experience," as he phrased it, with works like The Body Artist and, to some extent, Valparaiso and Cosmopolis. Lies-Lies-Bleeding continues this trend. Consisting of brief, spare scenes, clipped sentences, and unnerving silences, the play focuses on three characters as they deliberate...
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