A Thousand Acres

I’ve read only 71 pages and so far it’s boring. It’s early on so if it gets better I will do another review.

Ordered a hard copy of book and received a very used paperback edition. Just a little disappointed.

I did not care for this book. I found myself skimming paragraphs just to get through it. Way too many words for what was said. I wouldn't recommend. Usually when I am done with a book I have a lot of friends who I would give it to. This one is going to the library so they can sell it in their book sale. I have read other books by Smiley and liked them a lot...not this one.

When this book was chosen by our book club for this month's theme of "tragedy," I approached reading it with some trepidation. There are a number of things that I don't care for in literature, and one of them is the family drama which centers on the drama as drama for its own sake, rather than to say something more about the world. Part of my bias against this kind of writing comes from having cut my eyeteeth on science fiction, the literature of ideas which, at its best, is about today as much as it is about a future. I also spent three years in a creative writing program where, god bless them, my fellow students seemed to spend a lot of time writing autobiographical stories that didn't have much to say beyond it sucks to grow up in fill-in-the-blank. The book had won a Pulitzer, and if there's anything I learned in my MFA classes on literature, an award was often a signal that a book was not for the reader but written for the critics. A Thousand Acres screamed to me from its cover that it was that kind of book, that focused on the dissolution of the family as seen through a retelling of the King Lear story. I shuddered. But, really, I shouldn't have. Having previously read two books by Jane Smiley (the quite amusing MOO and the intelligent and thoughtful Thirteen Ways of Looking at the Novel), I should have given her the benefit of the doubt. Within the first fifty pages, I was surprised that Smiley had drawn me into her story, and while it was still fairly mundane (the family dog wasn't going to start talking on page 100, to my dismay), I found the voice of the narrator intriguing and wondered just how much of King Lear Smiley was going to be able to transpose to 1970s Iowa. Turns out, quite a bit, in a wondrously deft way that I would have termed a 'tour de force' if I used that phrase anymore. The narrator is the eldest of the three daughters, and instead of a king dividing up his kingdom, the family farm is to be divided among the daughters somewhat early by forming a corporation in which he gives control of the farm to the children, in a sudden move that delights the older daughters and their husbands and alarms the youngest, who no longer lives on the farm nor has much to do with it. Her concern about the alacrity of his decision infuriates the father, so much that he cuts her out of the paperwork process and thus the land itself. Pretty much every plot point in the Shakespearean play is touched upon in some manner, but never so roughly that the connections feel strained. If anything, Smiley's version is much, much more subtle in its understanding of the character's motivations, giving both a sympathetic portrait of the older two sisters that is entirely missing in the play, as well as making the Lear figure less of a madman and more of a stubborn one, such that when his stubbornness leads him into the rain, his madness becomes if not sensible, at least reasonable. You don't necessarily take any one character's side in this fight, but n

Most modern novels fail to surprise me. They telegraph where they are going in such obvious ways that I often feel I could write the next chapters and the ending before I read them. Jane Smiley in A Thousand Acres also telegraphs a lot . . . but underneath those obvious road signs, she's built a more powerful message for those who care to read between the lines. Although most people don't want to read a book as long and as dark as this one, it's well worth your while. The character and plot developments display an amazing set of symmetries that are works of genius. Those who will love this book the most are people who know farm life in the American Middle West well. Having had a grandfather, father and several uncles who were farmers in Illinois raising lots of corn and hogs, I was first impressed by how well Ms. Smiley captured the attitudes, experiences, psychology and perspectives of the American family farmer during the 1930s through the 1980s. I felt like I was reading the history of my own family for about the first third of the book. Then, she powerfully shifts the ground as the patriarch of the family, Larry Cook, decides to cede control over the family farm to avoid estate taxes. From there, a superficial reading will see this as a modern version of King Lear. I think that obvious parallel is not an accurate view of the book. Instead, this book takes on the qualities of a Greek tragedy as the characters move inexorably towards their preordained fates. What's the source of the tragedy? It's the pride of the American family farmer who lusts for more land and production. In fact, this book could have been titled "Life Drains Away" as the forces set into action by the characters create an ironic threat to some of the same characters. I was most impressed by the subtle case being made for healthier farming methods and changed values among family farmers. Rarely does a novel make such an objective point with such power. At times, you'll feel that the novel is more than a little over the top. But that's what makes the novel work as a tragic story. I do agree that Ms. Smiley could probably have cut back on some of the darkness, still made her point, and possibly had a masterpiece of a story. But some writers need to shake the heavens with their furies . . . and we can hardly blame them when they succeed. Well done, Ms. Smiley!

I must admit to being completely flabbergasted by the negative reviews of this novel. I could barely put it down, it moved me so. Most reviews focus on the family relationships that are hauntingly revealed by Jane Smiley throughout the book; I also found the descriptions of the land and farming practices to be insightful and engrossing. This is one book that doesn't disappoint, and will stick with you for a long time.

Jane Smiley's "A Thousand Acres" is truly a powerful novel. Although it starts slow, the pace grows quicker and stronger. The best in Jane Smiley's story is that she has the admirable ability to translate the deepest and most complex of emotions into the simplest yet most captivating words. The story, as narrated by the oldest sister Ginny, probes profoundly into the lives of all the characters unearthing secrets, worries, doubts and fears that enthrall you and compel you to read on. At first what seemed as a peaceful life on a farm swiftly explodes into a turbulent maelstrom of harrowing incidents and powerful events that at first seemed distant and impossible to occur but were truly brewing under the surface. There are many shocking surprises throughout the novel. All in all, it is a wonderfully written and riveting story.