A Darkling Plain (Mortal Engines, Book 4): Volume 4

I first read and reviewed the first installment of "The Hungry City Chronicles" back in 2003 with Mortal Enginesand now I finally come to the end of the four-part story with "A Darkling Plain." There is still a prequel to enjoy, but for all intents and purposes, this is the last chapter of Tom Natsworthy and Hester Shaw's adventures in a world filled with airships, traction cities, predator suburbs, static communities and terrifying animated human corpses fitted with robotic parts called Stalkers. With the title derived from Matthew Arnold's "Dover Beach," (`and we are here as on a darkling plain, swept with confused alarms of struggle and flight, where ignorant armies clash by night') a line which perfectly encompasses the tone and content of the story, "A Darkling Plain" begins with a reasonably tranquil scenario. An uneasy peace has been formed between the Traction Cities and the Static Communities, ending years of conflict between the various factions of the Traktionstadtsgesellschaft (cities that adhere to the city-eat-city policies of Municipal Darwinism) and the Anti-Tractionist League (which includes the terrorist organization of the Green Storm). The truce has been secured mainly due to the efforts of Lady Oenone Naga, who disposed of the Green Storm's fanatical leader Anna Fang by programming the ancient Stalker Strike to destroy her. However, her actions have made her several enemies, and dissenting members of each side are determined to end the stalemate between townies and mossies through espionage, terrorism and assassination. If you have yet to discover the steam-punk, sci-fi, post-apocalyptic world that Philip Reeve has created, then there's no use starting here. "A Darkling Plan" is the accumulation of the three previous books and their steady build-up of character and situation. Taking place six months after the explosive events of Infernal Devices Tom Natsworthy and his daughter Wren are living as aviators and traders when Tom recognizes a familiar face from his past: Clytie Potts who lived in his home city of London which was presumed to have been totally decimated years ago. Teaming up with a dashing but prejudiced young lord of a strange tunneling city, father and daughter cross the lines and sneak into enemy territory in order to investigate rumours of life in the destroyed remains of London. Meanwhile, their estranged wife and mother Hester is traveling with Shrike as an assassin-for-hire, only to get caught up in events when she stumbles across the survivors of an attempt to sabotage the truce. With such a painful reminder of her duties to her family, Hester reluctantly throws herself into the ensuing battle. Finally, the Stalker Anna Fang (not as dead as some might have hoped) makes a journey of her own along with Fishcake, one of the final Lost Boys who holds a grudge against Tom and Hester. Devoted to Anna, he follows her as she undertakes a secret mission into the mountains, carrying in her mind the coordinates o

A must read before you die. Age shouldn't impede you from reading this almost gothic, dark and supremely realistic book. The writer has combined all known genres and weaved them to present an exquisite piece of work. Is a classic is a classic is a classic... 100 Stars are not enough........ WOW....

A Darkling Plain is the fourth, and final, book in the wonderful "Hungry City Chronicles." Beginning with Mortal Engines, the world that Mr. Reeve has created is one of the best in the young adult science fiction that I have read. Period. The story takes place hundreds, perhaps thousands, of years after the 60 Minute War where humans unleashed every known weapon on themselves (biological, nuclear, space based energy rays). The books revolve around Hester Shaw and Tom Natsworthy and their adventures on mobile cities that try to "eat" each other. Hester, in my view, is one of the great characters in young adult literature: strong, ruthless, vulnerable, and determined to get her way. Tom, in contrast, believes in the basic goodness of people and it is, ironically, this belief that proves to save the day in this story. I won't reveal details other than to say that all four books are highly recommended. If you want action, although with a high body count, then these are for you. In fact, I have rarely had the emotional impact of a series of books stay with me as these have. The ending is absolutely draining, but perfect. Finally, I must disagree a bit with some of the other reviewers about the third book, Infernal Devices, where they wish that Hester and Tom had not gone from their teens in "Predators Gold" to their mid-thirties. One of the themes of A Darkling Plain is that life moves on: people grow up, fall in love, have children, and pass the world on to them. Thus, Tom and Hester have a child, Wren, and it is central to the book's ending that she is old enough to be out on her own and have her own life. I certainly hope that Mr. Reeve has other stories set in this marvelous world, but there is very little that I would change with Hester and Tom's.

Finally I managed to finish the thickest book of this series! It was such a moving ending that it broke my heart but gave me satisfaction. A roller coaster ride from the first book, Mortal Engines, and it came in full circle in A Darkling Plain. It is far from the happy fairy tale but gave us hope nontheless but also reminded us what life is. A bit odd about Mr Shrike though but that doesn't matter much. Perhaps I just have to re-read the first one. A full 20 stars for this series!

Have you ever noticed that it is only once in a while that an artist with incredible ingenuity, creativity, articulation, and vivid imagination will somehow cross your path and enrich the precious moments of your leisure time? I love it when this happens, whether it be fine art, music, film, or in this case, literature. Philip Reeve has yet again brought me with him in this latest, and last, book in the Hungry City Chronicles quadrilogy: aptly hailed A Darkling Plain. I will not bore you with an overview, as it would be grossly wrong of me to spoil any of the treasures this work has waiting for you, the expectant reader. Living in Alberta, Canada, British author Philip Reeve is not as well known, and so it was quite by accident that I discovered the first 2 books in the series: Mortal Engines and Predator's Gold. These 2 volumes, which very much remind me of the quality and craftsmanship of creating Star Wars and then The Empire Strikes Back, harken back the ideas of fantastic new worlds, innocence and discovery, high adventure, romance, tragedy and character resolution which unfailingly culminates in this last Darkling volume. If you are familiar with this brilliant series, I wonder if I am alone when I honestly say that I was heartbroken with the direction Mr. Reeve took in the third volume, Infernal Devices. I did not want Tom and Hester to instantly jump into my own mid-thirties age bracket and thus becoming secondary characters to the supposedly young readers these books are aimed at. Although we grow to fondly care about their daughter and her friends, I felt a huge stab of pain (not unlike Tom) and loss at the sense that our original heroes were relegated to the back of the bus. I also share your grief and dissappointment that our dear friends Freya and Caul were allowed such an early retirement--Shame on you, Mr. Reeve. Despite the third and leading-up-to volume, I will say that our intrepid storyteller redeems himself and restores our faith in his genious by his deliverance of this beautifully crafted and intricately laid fouth "chapter" of our long journey. I can't tell you how sorry I am that it is over for me, having just ordered and read this last novel directly from Scholastc U.K. Believe me, friend, you're in luck. Treat yourself to this book and the whole series, because like one of those rare vacations where you actually relax and enjoy yourself, and you are just a little sad to return home, this endeavor will simulate just that. As a sidenote, I should mention that I was shocked to originally learn that these books were targeted towards 9 to 14 year-olds. Although there is no profanity or overt sexual descriptions, the brutality, gore, and death count has occassionally brought to mind certain other writers such as Stephen King and Robert McCammon--if these were derrived films, they would not get away with "PG-13" in North America. Also, if anyone else cares to write a review and knows, could you please explain why our everlast