A Circle of Sisters: Alice Kipling, Georgiana Burne-Jones, Agnes Poynter and Louisa Baldwin

very well written, deeply researched, the author inserts her own judgements of the sisters' behavior as we follow the timeline. not only do we see them grow up and older, but their lives mirror english society in the 19th century and they fortell our own 'aristocrats' of talent and celebrity. i like some sisters more than others, and the rudyard kipling portion especially was fascinating.

I enjoy bios tremendously this one was very thorough but I did have to "work" at it at times. But I was glad to learn what I did and I ultimately enjoyed it altho in truth it did not always "flow." I can appreciate all the work involved in researching all these lives so I am glad I could ultimately enjoy it.

I read Ms. Flanders' previous work, "Inside the Victorian Home",(loved it) and therefore I was familiar with Ms. Flanders' writing style. Knowing the author's style helped me to enjoy CIRCLE OF SISTERS much more than if I had not first read Ms. Flanders previous book. I guess what I'm eluding to is: Ms. Flander's "interesting" writing style. Her style is almost Edwardian,for lack of a better word. Her style can get rather dull in some parts of this book, but luckily, the various intertwining life-stories help the reader to pick up the pace. If you want to read an intersting book about what life must have been like during the Victorian Era, and especially for four rather "unusual" sisters (ie: unusual for their time), then a reader may find this book quite fascinating, as I did. The book starts off with a Geneology Tree showing where each sister, and how their respected mates and relatives, fit into the picture. Then the book takes you back to grandfather MacDonald's life and how he and his wife rose to the challenges they encountered (eg: loneliness of a minister's wife, low pay, many moves). Soon, the reader is taken to a description of each of the sisters. By the way, there were actually FIVE MacDonald sisters, but Edith, the youngest, never married and therefore she was only slightly talked about. The main plot actually evolves around the four older sisters,(Georgie, Agnes, Alice and Louisa) because these four "main" sisters ended-up marrying famous men (such as Rudyard Kipling's father) and had more exciting lives than poor Edith , who ended-up being the parents' caretaker and stayed home most of the time. Each chapter of this book describes a "stage" in the sisters' lives (eg: meeting their mates, marriage, their children, infirmary, strange health issues, old age, death, etc.). The author does a very nice job with even the slightest details of each sisters` life....Example, from what they wore and ate the day one sister met her future husband (eg: Alice was biting into an onion when first approached by John Lockwood Kipling in KIPLING PARK), to when another sister had to deal with infidelity (ie: Georgie's husband's affair). The other interesting part of this book is that it describes, in detail, how each of the sisters' children felt and how each turned-out, in the long run! For instance, I think that readers will be quite surprised to learn, how Trix and Rudyard Kipling grew-up and how their personalities changed because of their environments and upbringing. I don't want to say much more, because that might ruin the story, but I must say that after reading this book I knew more about the MacDonald sisters, the Victorian Era, and the sisters' relatives, than I had ever imagined.

This isn't something that I would recommend to every reader. The title sounds a lot more warm and fuzzy than the sisters were. If you are expecting a heart-warming tale of the days when all families were close and unfailingly took care of one another, this isn't it. One recommendation I would make is to look up the Rudyard Kipling, Stanley Baldwin, Edward Burne-Jones and Edward Poynter in an encyclopedia, the Dictionary of National Biography or on the internet if they are not familiar. I say this not by way of faulting the book, there are too many characters to give each a full treatment, but it helps to have some idea of who these people were. The book focuses on the daughters of a Methodist minister. Four either married men who became famous or had sons who became famous. Unfortunately, these are generally not terribly charming personalities, so it is no great delight getting to know them unless one is interested in the period or these particular people. But for those with a special interest, I think it will probably be quite interesting. There were also two brothers, one who was rather unsuccessful and one who was quite successful as a Methodist clergyman, but they take a back seat to their sisters both in the book and in the sisters' lives. The one thing that I would have liked to have seen developed better is successful relations within the extended family. Georgiana Burne-Jones was very close to her nephew Rudyard, but I'm not really certain why. This may be a problem with a lack of sources on this particular point - Flanders can infer from guest books which relatives saw little of each other but more positive information would be necessary for this. The MacDonald sisters: Alice, Georgiana, Agnes, Louisa and Edith, came from a modest, barely middle-class background. It is quite interesting that three of them married men from equally undistinguished roots, one a man who was perhaps upper middle-class. Despite these seemingly unpromising beginnings, two of the initally undistinguished husbands, Edward Burne-Jones and Edward Poynter (married to Georgiana and Agnes, respectively) became very successful and famous in the field of art. The third husband, Lockwood Kipling, married to Alice, was successful in his field, and their son, Rudyard, would become an international literary success and quite wealthy. The fourth, husband, Alfred Baldwin, married to Louisa, was a model as an industrialist, noted for public service, who went into politics. Their son, Stanley Baldwin, was three time Prime Minister. Many of the less famous members of the family pursued successful careers as writiers, sometimes quite well known in their time. A few were failures as life: either suffering psychological problems, perhaps due to a frustration of their creative potential, or too comfortable as the children of the famous. Judith Flanders attempts to discover how nurture, i.e., being related to the MacDonalds, may have lead to the surprising