Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films-Accattone, The Canterbury Tales, Medea, Sal -continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking.
Masterfully combining analyses of Pasolini's...