A Book of Common Prayer

This book has become one of my personal favorites. I found myself going back to the first chapter repeatedly to measure facts. A wonderful book to get lost in.

In this uncommonly excellent prose, Ms. Didion describes an incredible scenario of a revolution in a Caribbean country. The country is dirt poor. There is no good water, there are no proper sewers and there are few good roads, except the one highway that leads to the house of El Presidente. The people live in squalor and there are only a few people in this island of the damned who are in fact solvent. The story tells of the tale of an American lady, norteamericana, who comes to the island, for reasons even she herself does not know. Her life has been tragic and strange. Her child becomes an American revolutionary and is involved in the hijacking of a plan from California to Utah. She lives an underground life and has no connection to her parents, whom she rejects socially and economically. Didion's reporting style writing is almost a perfect match for telling the story of this obscure countries political corruption and the insurgency that exists within. She uses her incredible ability to turn a phrase and then to use it multiple times for an emphasis that is extraordinary in painting the picture of the world about her. Charlotte Douglas has come here to figure out something, but what it is hard to tell. She seems to be adrift in the impoverished lands of Boca Grande which translates to "Big Bay" or also as Didion points out to "Big Mouth." Those in charge do have big mouths and talk out of both sides of it. There is constantly a strange dance performed by the few landowning ruling class that is constantly trying to shift the balance of power on the island to accommodate their own personal purposes. In the ensuing revolutionary action, Charlotte is actually killed. She could have easily avoided this fate by leaving the country, but instead, she insists on staying and ends up shot and left for dead on the lawn of the abandoned American Embassy. The beauty of the story is in the writing more than the events. With pure journalist style mixed with incredible fictional reality, Didion creates what could be typical of the Central American/Caribbean countries and their constant revolutions. Many get caught up in them and never emerge. Charlotte is one who does not emerge. As modern fiction, the book has a style that is unique to Didion. The smoothness of the writing and the deadpan descriptiveness is purely hers. It is the one book that she has written that is truly appropriate for all Americans to read. The book is highly recommended for those looking to see great fiction encompass the horror of revolution.

Arguably, this is one of a handful of great modern american novels from the last quarter of the 20th century. from its remarkable opening chapter, it weaves a hypnotic spell, with didion's characteristic romanticizing of despair and existential angst. this is a novel of sentences. sentences to be savored, and read aloud. sentences without one extraneous word; as balanced as poetry, and utterly perfect from the first syllable to the last. didion remains one of the few writers who can comment on a scene by way of description. the details she focusses upon serve to illustrate her vision in a manner only a small handful of authors can manage. it is the mark of a master, and this is, without question, her masterpiece. it is didion's reportage and essays that have made her reputation, but this very challenging and utterly flawless novel is the equal to her non fiction prose. it is not a novel for the casual reader. however, for any student of delusion, and any admirer of serious literature of the highest order, a book of common prayer is an essential text.

I thoroughly enjoyed this book. As with all of Ms. Didion's books, I take my time with them, to truly cherish her writing style. I am a huge fan of her use of characterization, as well as her use of grammer. (Besides this book, I regularly recommend Play It As It Lays and Miami, two other great books by Ms. Didion.) Everytime I think of this book, I think of how the brave narrator, in the course of the developments of the novel, regrets, with the last line in the book, the opening statement she made in the book's lead. One of the all-time best books I've ever read, you have got to give this book a read, too.

Didion's liturgical language is absolutely captivating. I read this book in one day and have re-read it at least five times. Her female characters, called shallow by some critics, are extremely interesting and what is left unsaid is what the novel is about. Didon isn't an easy read, but her images stay with you, puzzle you and haunt you